"CATCH YOU FUCKERS AT A BAD TIME?"

Vern tells you all about the TEXAS CHAINSAW MASSACRE 2: THE GRUESOME EDITION DVD!!!

Boys, boys, boys–

These last couple weeks have been tough on my mental facilities. I reviewed that great new “ULTIMATE” edition of the original TEXAS CHAIN SAW MASSACRE, I also revisited parts 3 and 4 in that original series, then on Thursday I reviewed the new prequel to the remake. So by that point I’d studied and written about pretty much every angle to the whole Texas Chainsaw deal. You’d think I’d be done with it by now, but there is one final chapter: the one spinoff of the original movie that achieves its own level of True Greatness. I am talking about Tobe Hooper’s 1986 sequel, THE TEXAS CHAINSAW MASSACRE 2. It’s been available on DVD for a couple years in a bare bones edition (get it, that is a pun because of all the skeletons they have) but Tuesday it comes out in a much deserved special edition with new commentaries, featurettes and deleted scenes. (read the rest of this shit…)

VERN vs. CRAPPY TEXAS CHAINSAW REMAKE: THE PREQUEL!!

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

Honestly, I didn’t even have the energy to write this one up. I am depressed by how much I disagree with Harry and anyone else who gave this a pass. This is what we’re settling for now in horror? I think it’s a huge mistake to demystify something as potent as Leatherface, and I think this is every bit as rotten and bankrupt as Nispel’s remake a few years ago.

But why take my word for it? Here’s Vern, who I trust to explain it for you:

My friends,

Against all odds, this is actually alot better than anyone could’ve imagined. Admittedly, a prequel seems like a bad idea, and the director has only done one movie (that even he says is bad), and he told the Fangoria horror magazine he never even saw any TEXAS CHAIN SAW MASSACRE movies before he signed on. But somehow this movie is good ol’ horrory fun!

That’s how my review would start if I was a lying scumbag. But I tell it like it is, so I gotta tell you, if you hated the remake like I did you should skip this one. It’s the same old shit. The best compliment I can muster is “It has a couple funny lines.” Or how about, “I haven’t decided if it’s as bad as the remake or not.” That would make a good quote on the poster I think. (read the rest of this shit…)

The Return of the Texas Chainsaw Massacre

TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION

Well in a serious bid to not hate the upcoming TEXAS CHAIN SAW remake prequel, I decided to mentally condition myself by rewatching the two bad sequels, parts 3-4. But I don’t know, maybe I’m getting soft in my old age, maybe the remake lowered the bar, maybe it’s some kind of Stockholm Syndrome deal, but this week I found out I really don’t hate these two movies like I used to. They’re not good sequels, no, but I was able to appreciate them a little more after all these years. The little fuckers are starting to grow on me.

I also realized the secret behind the failure of the sequels. Every one of them is basically a loose remake, but without all the elements that were in place to make the first one work. You can’t catch lightning in a bottle 4 times unless you’re really good with a bottle, and not even Tobe Hooper is that good with a bottle anymore. The sequels are all closer to the original than the actual remake is. They change the reason why the victims are in town, they have a different lineup for the family (and a different person playing Leatherface), and they add some new twists here and there. But they’re all basically some people come to town, get stuck at the house, they’re tormented in crazy ways, there’s the dinner scene, they escape, they battle, they get away. (read the rest of this shit…)

Leatherface: Texas Chainsaw Massacre III

As you’ve probaly figured out by now, I love THE TEXAS CHAIN SAW MASSACRE. Hell, I’d go so far as to call it the DIE HARD of horror. The Mohammed Ali of horror. The Bruce Lee of horror. I also love part 2, not as fond of part three, hated part 4, fucking DESPISED the remake.

This week they got the prequel to the remake coming out. I’m sure I’ll probaly hate it, but who knows. In some ways it doesn’t sound as bad as the remake, and since it’s not a remake you can hold it to the lower standards of a sequel. And lucky for it, there have been two not so hot sequels already to lower the bar. So I came up with a plan. First, I devised a method by which I will see the prequel without Michael Bay getting any of my money. Then I rented parts 3 and 4 so I can have them fresh on my mind while watching the prequel. That way I will have the maximum possible open-mindedness when I see the new one and might be able to appreciate it. The only problem is I watched Part 3 here and it’s not as bad as I remembered. (read the rest of this shit…)

Point Doom

Back in 2001, long before he ever challenged me to a wrestling match, CHAOS director David “The Demon” DeFalco wrote an action movie called POINT DOOM. It’s directed by a guy named Art Camacho, who was in HALF PAST DEAD and directed a bunch of Don “The Dragon” Wilson movies. The producer is the same guy from CHAOS, here credited as Steven Jay “Bernie” Bernheim. It was sold as a Blockbuster Video exclusive, which I’m sure everyone involved was very proud of.

This is a terrible movie, but it has its own style of craziness and ineptitude that to me makes it much more interesting (if less competent) than the straight up rehash of CHAOS. It has a distinct ’80s retro L.A. sleaziness and an insulated world view that makes you wonder if these people only know cliches or if they are shut-ins who live in a strip club before. I think Grieco is supposed to be a straight-up hero, not an anti-hero, but it’s hard to imagine who would find this chump sympathetic. And the females in the cast have the gravitas of BAYWATCH stars. Almost everybody in this movie is a talent agent, a biker, or an employee of a strip club. The only exceptions are Ice-T (gangster, but not biker) and Angie Everhart (sister of strip club employee). (read the rest of this shit…)

Thriller: A Cruel Picture

In Sweden back in the ’70s there was some crazy shit going on, just like they had in the woods there in the 1800s. Take for example the case of Frigga (Christina Lindberg), the subject of this cruel picture. She’s just an innocent farmgirl who keeps running into some filthy scumbags. In the opening scene she is a little girl being spun around by an old man who you assume is her grandpa or something. Then the guy keels over and blood pours out of his mouth. I don’t understand why, but this somehow symbolizes that the guy raped her. Don’t get me wrong, I am very, very glad that they chose to depict that through symbolism instead of showing it, but I got no clue what that’s all about. It’s a Swede thing.

The trauma of that opening scene causes her to be mute and, the neighbors say, not quite right in the head. She is seeing a special doctor for her troubles but one day she misses the bus and gets picked up by a sleazy hipster asshole who takes her to dinner and hits on her. (read the rest of this shit…)

Jet Li’s Fearless

I don’t know if that title means “Jet Li’s” in the sense of BRAM STOKER’S DRACULA or as a less formal way of saying Jet Li is Fearless. Neither one makes complete sense because Jet Li is not the director (that would be the great Ronny Yu) and his character is not named Detective Jack Fearless, he is playing a guy named Huo Yuanjia who it turns out is a real life martial artist (1869-1910) who united the various factions of Chinese martial arts to form “wushu.” He’s the guy who is supposed to be the teacher of the fictional character Bruce Lee played in BRUCE LEE’S FIST OF FURY and the one Jet played in JET LI’S FIST OF LEGEND. This new movie is a very mythology-ized version of the guy’s life but does have many elements that are based on actual historical events. But they are honest enough not to say “BASED ON A TRUE STORY” in the ads, despite the continual lowering of the standards for what counts as a true story. (The latest chapter: the prequel to the crappy remake of a completely fictional movie that was vaguely inspired by what Ed Gein did to dead bodies now counts as a true story.) (read the rest of this shit…)

AVP: Alien vs. Predator

Judging by this title, we are dealing with a story about 1 (one) Alien facing off against 1 (one) Predator. Maybe the Alien dripped acid blood on the Predator’s invisibility machine, so they start getting up in each other’s face or something. It is hard to predict what would cause them to fight, but it is easy to predict the outcome. The Alien wins because the Alien is hands down cooler than the Predator. Sorry Predators, just tellin it like it is. Of course, the title could also mean the actual movie ALIEN is facing off against the movie PREDATOR. In that case ALIEN will be defeating PREDATOR for tension, atmosphere, originality, and artistic legitimacy, while being roundly defeated in the oneliner and gun size departments.

But the title ALIEN VS. PREDATOR is misleading. It is actually MODERN DAY HUMANS + SOME CGI ALIENS AND TEENAGE PREDATORS. It turns out that the ancient Predators built a pyramid in what is now Antarctica and it’s still there under the ice. Once every 100 years exactly, a Predator ship comes down, sets loose some Alien eggs and has their Predator boys fight the Aliens as a rite of passage. Maybe they are from the south of Predator planet and this is their equivalent of deer hunting. Or Texas football. (read the rest of this shit…)

Black Christmas

You probaly know director Bob Clark as the guy who did PORKY’S and A CHRISTMAS STORY. More recently he did the two BABY GENIUSES movies and something called KARATE DOG which, judging by the cover, is not a metaphorical title. But back in the day he was a pretty good director of horror movies. One of the ones he did was DEATHDREAM, a really eerie movie about a guy coming back undead from Vietnam and everybody is sort of in denial that he’s different. I liked that one a hell of alot better than HOMECOMING, Joe Dante’s sort of similar anti-war zombie thing from the Masters of Horror show.

But right after DEATHDREAM Clark did his most famous horror movie, BLACK CHRISTMAS, and it’s a pretty good one. (read the rest of this shit…)

Vern’s Ultimate look at the TEXAS CHAINSAW MASSACRE Ultimate 2-disc DVD!!!

Ahoy, squirts! Quint here to intro Vern and his look at a DVD I’m certainly picking up for this Halloween season: the newly spiffed up TEXAS CHAINSAW MASSACRE SE. Vern goes through all the reasons this is better than the previous editions and some area where it isn’t, then wraps up the whole shebang with a final verdit. Is it worthy or unworthy? See for yourself!!!

Well friends, we all agree that THE TEXAS CHAIN SAW MASSACRE is one of the greatest films in the history of American independent cinema, etc. etc.

[imagine 30,000 words here about why I love this movie. And believe me, I could do it.]

[Okay, maybe I’d have to pad it out by going off on a tangent about how underrated part 2 is, and why I hate the remake, and I’d have to spell “alot” as two words, but I could still make it to 30,000.] (read the rest of this shit…)