(or MAD MAX 2)
Man, I love MAD MAX. So raw with its low budget, so fierce with its ridiculous car stunts and harsh view of humanity. There’s something about that one that nobody has really captured again. Still, in a way this amazing sequel takes it to a new level.
The world is further down the shitter now. Society is not just crumbling, it’s in crumbs. Max is still hauling ass down Australia’s highways in his Interceptor (the last one left), battling high speed maniacs and stealing any gas he can find. The opening scene is the most reminiscent of the first movie, a classic chase scene. It also introduces the gang that will be the villains in this one. Vernon Wells plays Wez, the dude with the mowhawk and shoulder pads, riding a motorcycle with his blond punk (or bitch, or desert life partner) on his back. On the other side a dude in a car tries to shoot Max with a crossbow, but Max hits the brakes and the arrow hits Wez in the arm. (read the rest of this shit…)
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
ROBOCOP
COMMANDO is a rare commodity – a Schwarzenegger picture on a low enough budget to feel like the early Seagal and Van Damme pictures. The good ones, though. Schwarzenegger plays John Matrix, the perfect name for an ex-special forces muscleman who lives in a cabin out in the woods with his daughter Alyssa Milano. (Who is the boss, anyway? I never did figure that out.) She doesn’t want him going on dangerous missions anymore so he stays home and spends his days chopping wood and feeding deer with her. Luckily, before he gets too bored with this Snow White lifestyle some other soldiers he used to be knee dip in the shit with kidnap his daughter as a way to force him to assassinate some South American leader or other. So he gets to go to war. And to be honest he looks more comfortable running around with camoflauge paint on then he does feeding a deer. We all have our little things we’re good at, you know. 
I’ve seen this movie many times over many years, and I’m sure you have too. I don’t think I need to try to convince anybody to like ALIENS. Asking somebody if they like ALIENS is like asking them if they like pizza or ice cream. You can assume the answer is “yes” and if not it’s just some weird quirk that person has, you can’t really make much of it.
In James Cameron’s idea of a romantic comedy Schwarzenegger plays Harry Tasker, an agent for the “Omega Sector” secret spy agency who protect America from terrorism and are led by Charlton Heston with an eyepatch. He has one eye on the enemy, the other eye on infinity. Or something. The opening shows that Harry is willing to blow shit up but is more of a suave James Bond type than the usual Schwarzenegger character. He gets his way through trickery, wears a tux and even does a tango with Tia Carrera. (Remember when she was supposed to be a big deal?) He just happens to be a muscleman under that tux but nobody seems to notice in the movie, it’s not really relevant to the character.
After watching the TERMINATOR movies for the first time in years I was so excited about James Cameron I decided I should go back and re-watch the Cameron movies I didn’t like, see if maybe my perspective has changed. Maybe there was some magic there I just wasn’t picking up on.
THE TERMINATOR
I never did write a real review of the popular Danny Boyle picture 28 DAYS LATER, just a little blurb in a summer recap column. To make a short story stay short, I liked it but did not understand the hooplah. It seemed to me most of it had already been done in Romero’s movies, and I liked it better when it was a real movie instead of a home video. So I was kind of annoyed by all the hype at the time that Boyle had “reinvented the zombie movie.” Even the controversial running zombies were straight out of RETURN OF THE LIVING DEAD. Somebody give Dan O’Bannon some credit. When he did that in 1985 it was a clever new take on zombies.
This is a suspense thriller from Kathryn Bigelow, the director of POINT BREAK and NEAR DARK, and one of the few women directors to get much of a chance in these types of movies. This one stars Jamie Lee Curtis as a just-graduated cop who, on her first ever patrol, has to shoot a guy holding up a grocery store.
