I like where Stuart Gordon is coming from. Always thought of as a horror director because of REANIMATOR and FROM BEYOND, now he’s just this low profile indie director, doing his own thing, making little movies with playwrights and obscure writers, usually with gore and dark undertones but not really horror anymore. Not that he has disowned the genre – he’s still trying to do another REANIMATOR sequel.
And this new one, STUCK, is an interesting idea. It’s inspired by that horrible case you may remember reading about a few years ago where a nurse’s aide was driving under the influence, ran over a homeless guy, and parked the car in her garage with him still stuck in the windshield. She left him there to die (it was originally reported as taking two days, which is how it’s portrayed in the movie, but from what I’ve read it was actually 2 hours). (read the rest of this shit…)
Part 5 is one of the less popular Freddy pictures, maybe because it made an admirable attempt to get beyond high school. It continues the story of Dream Master Alice and her boyfriend Dan (still played by the same actors, Lisa Wilcox and Danny Hassel) and their new circle of friends who replaced the dead ones. They are just graduating from high school, Alice and Dan are planning a trip to Paris over the summer, and early on Alice finds out that she’s pregnant. So they’re still teens but they’re dealing with some growing up type shit here.
People are always talking about “jumping the shark,” making fun of tv shows or movie sequels for trying to come up with new gimmicks to mix it up so they don’t just keep repeating themselves. In a horror series you’re gonna start shaking things up pretty quick. In HALLOWEEN they tried getting rid of Michael Meyers by part 3, though they brought him back for part 4. In ELM STREET 3 they added this idea of a group of kids who can dream together and all have different super powers in their dreams, and people liked that so they stuck with it. For FRIDAY THE 13th 4 they added a little kid (Corey Feldman), not to mention they changed who the killer was in part 2. The Chucky series turned into absurdist comedy by part 4.
“Montani semper liberi (Latin, “Mountaineers are Always Free”)”
THE SCORPION KING 2 RISE OF A WARRIOR is the story of a warrior who rises. In movies we’ve seen many people and things rise, including The Machines, Carlito’s Way, The Silver Surfer, Leslie Vernon, Taj, Cobra, the Lycans, Gator, Jack Johnson, and Fred A. Leuchter, Jr. But never before have we seen the RISE OF A WARRIOR.
Well, I gave up on Stephen Sommers after the rhythmless THE MUMMY so I never watched THE MUMMY RETURNS. But I have since learned to enjoy The Rock so today I finally got around to watching the prequel/spin-off THE SCORPION KING. It’s directed by Charles NIGHTMARE ON ELM STREET 3 Russell, so I didn’t have to break my Sommers boycott. And I’m glad I finally watched it. This is probaly the best riff on the CONAN THE BARBARIAN type of movie I’ve seen. Not as stylish or violent as 300 but a little more fun. And a hell of alot better than KULL THE CONQUEROR.
Well, shit. I’ve had this review done, but I was letting it sit and simmer or something. Or being too lazy to send it in. But now poor Isaac Hayes has died, so I better address that. Black Moses isn’t shown on the cover or in the trailer for this upcoming Steven Seagal DTV event, and that’s fair because he’s barely in it. But Hayes does in fact appear in a few scenes as “Coroner.” Seagal’s homicide detective character is buddies with Isaac, so Isaac is pretty liberal with letting him check the dead bodies for clues. I call him Isaac because that appears to be his name – Seagal’s character refers to him as “Is” (or “Eyes”). My theory was that Hayes was playing himself and that this is what he’s been doing in Memphis since quitting that snot-nosed cartoon you guys are so fanatic about. But maybe not.
THE DEAD POOL is the fifth, last, and worst of the DIRTY HARRY series. It’s still watchable because it’s Dirty Fuckin Harry, but it completes the pattern of each entry being not as good as the last.
I’m not sure what the title means on this one, but if it were up to me it would be called A DIRTY HARRY SALUTE TO DEATH WISH II. The three before this all felt like “DIRTY HARRY” but in this one he goes to San Paolo and all the sudden he’s in Charles Bronson’s jurisdiction.
Racially questionable double feature:
