Some terrible, fucked up news. Lou Perryman, who played Stretch’s faithful hick sidekick L.G. in TEXAS CHAINSAW MASSACRE PART 2 died Thursday, murdered by some random scumbag. I feel a little weird because he died under such horrible circumstances and I only know who he is because of the spectacular way he was killed in the movie. But he wasn’t a horror guy – he just ended up in that one and POLTERGEIST because he worked with Tobe Hooper (he was assistant cameraman on the original TEXAS CHAIN SAW MASSACRE).
I actually met Perryman just last year at a small horror convention. I don’t usually go to those type of things but this one lured me in with the promise of “Rowdy” Roddy Piper and three of the stars of CHAINSAW 2. And you know how obsessed I am with that movie. I’ve mentioned before that I don’t really like talking to my movie heroes, because I don’t want to try to be the guy who comes up with the one really interesting question or cool thing to say. Usually it’s a hopeless endeavor. But I did actually talk to Lou Perryman for a minute and told him I was a big fan of Chainsaw 2. He was polite. Then I mentioned that I had seen him in this excellent low budget independent Austin movie called LAST NIGHT AT THE ALAMO. I wasn’t trying to show off or anything but I really liked the movie, and clearly so did he. His eyes lit up instantly, he offered his hand and asked “What is your name?” He talked enthusiastically about a DVD release of the other movie he did with the same director, THE WHOLE SHOOTIN’ MATCH, which is now available. (I haven’t seen it yet, but Roger Ebert says it’s great, an endorsement Perryman was happy to repeat.)
So it was just a brief encounter, but he seemed like a really nice guy and a funny good ol’ boy just like he played in movies, mostly obscure independent Texas stuff but occasionally something like BOYS DON’T CRY. (And apparently he’s “man in bar” in THE BLUES BROTHERS, but I haven’t found him in there yet.)
It’s too fuckin bad, man. I hate it when shit like this happens. Sorry Lou, it shouldn’t have happened like that. You will be missed.

Most Americans, when they think of Australia they think of kangaroos and koalas and shit. Me, I think of high speed car chases and vicious (but wise) giant crocodiles. And I guess maybe occasionally I think of 6’5″ Seattle Storm center Lauren Jackson. But usually it’s the cars and crocodiles, because as you maybe noticed I’ve been watching the Australian films this last year or so – ROGUE, DARK AGE, ROAD GAMES, RAZORBACK, etc. I’ve never been there, but something about that place really appeals to me, and so do their movies, I’m not sure why. They seem to have an untapped (by me) reservoir of really good filmatists there who work in a style that appeals to me. Energetic but not frantic, stylish but still raw, serious but not pretentious, lots of car flips.
Seven strangers. One man connects them. Or some stupid bullshit like that, is what the commercials said. They had a hard time explaining what the hell this movie was supposed to be about, and didn’t make me curious to find out. That is, until somebody gave away the ending.
Not too long ago it was in the nerd-news that Samuel L. Jackson had signed on to play the character “Nick Fury” in as many as nine Marvel Comics movies. Some people said, “Well, that’s not surprising. Samuel L. Jackson will sign onto anything!” But that’s not really fair, they were probaly just actors who were bitter because they didn’t get the roles in THE SPIRIT, CLEANER, RULES OF ENGAGEMENT, S.W.A.T., SOUL MEN, JUMPER, HOME OF THE BRAVE, FREEDOMLAND, FARCE OF THE PENGUINS, BASIC, CHANGING LANES, SPHERE, LOADED WEAPON 1, etc.
Donny Yen plays Ip Man, the grand master martial artist who I guess was the first to openly teach the Wing Chun style of kung fu. If you’ve heard of him it’s probaly because he was Bruce Lee’s Wing Chun master, although that’s only mentioned in the text at the end of the movie.
In the second of Hong Kong director Tsui Hark’s surrealist double feature with collaborator Jean-Claude Van Damme (the first was DOUBLE TEAM), the eel really hits the ass. You probaly haven’t heard that saying before, because I just made it up, but it means “shit gets real weird” and it comes from the scene where Van Damme is pulling Rob Schneider in a rickshaw and Schneider starts whipping him with an eel while yelling “Move that beautiful ass!” That’s something most of us will only see in a handful of movies and TV shows within our lifetimes.
SPOILER ALERT !!
Nope, this is not a sequel or rebuttal to Walter Hill’s
Man, Michael Biehn and the other guys on his team in NAVY SEALS really like to party and be outrageous. Especially Charlie Sheen, have you seen how out of control that guy is? On the way to Dennis Haysbert’s wedding he jumps out of a moving Jeep and over the side of a bridge just for laughs. You know how those SEALs boys are. You don’t even have to TELL them to jump off a bridge, they just do it for no reason. And their nice wedding clothes get all fucked up, but they don’t care because they’re Navy SEALs.
James Remar is a New York City cop. Not the kind in a uniform, the cool kind. We know he plays by his own rules because he wakes up in a messy apartment face down next to a pizza box with a couple of uneaten slices still left. Can you believe that? He just let two slices dry out overnight. This is a guy who just doesn’t give a fuck! It’s like the saying goes, “Never face an enemy who does not fear wasting pizza.”

















