"CATCH YOU FUCKERS AT A BAD TIME?"

Summer Movie Flashback: Terminator Salvation

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2010
2009

If I had turned off TERMINATOR SALVATION about 2/3 in I would’ve come to you and made a case for it being underappreciated. I mean, I think it is, it doesn’t deserve the worldwide wholesale rejection and scorn it gets. But it has such a crippling case of T.A.P.s (third act problems) that it’s hard to be excited about it after you get to the end.

But let’s talk about what’s good in it, because there’s plenty of it, and nobody ever talks about that. First of all, a good cast. John Avatar himself, Sam Worthington, plays the anti-hero Marcus, a death row inmate (we don’t actually know exactly how Riddick he is – “My brother and two cops are dead because of me” is the only explanation of his crimes) who gets the lethal injection and then wakes up in a post-apocalyptic battle between man and machine. On one hand, hey, I’m alive, and I’m free! On the other hand… (read the rest of this shit…)

Summer Movie Flashback: The Taking of Pelham 123

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2009
2009

After their disagreement over DOMINO, my eyeballs and Tony Scott’s movies weren’t speaking to each other for years. But UNSTOPPABLE was okay and then the poor guy died and my eyeballs started to feel kinda bad and got nostalgic for all the good times of TRUE ROMANCE and CRIMSON TIDE and all that, and they finally saw REVENGE and they liked that quite a bit. You know, maybe if they had known what was coming they could’ve patched things up like N.W.A. did when Eazy E was dying. But that just wasn’t the way it worked out. It’s too bad.

Anyway I got caught in the middle of that beef and that’s why I skipped PELHAM 123 until now. Plus I really like the original and thought (well, knew) it could only suffer from updating. (read the rest of this shit…)

Summer Movie Flashback: Speed Racer

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2008
2008

These days it’s pretty common for people to say that SPEED RACER is an overlooked gem – or even a masterpiece – that was misunderstood at the time. So give credit to your old Uncle Vern for praising it from day 1. I didn’t misunderstand that shit! I understood the hell out of it. I am a real good understander in my opinion. Not to brag.

But this is the second time I’ve watched it and actually I liked it alot more this time. I didn’t have as many reservations about the aggressively shiny and video gamey pixelscapes it takes place in. It’s still not my favorite look, but my brain has adjusted. I don’t know, maybe the rainbow colored kaleidoscope spinning around the studio logos at the beginning hypnotizes you when you see it on Blu-Ray. It starts to look amazing.

What really impressed me is the next level filmatism within that artifical world. The camera (or “camera”) soars through, over and around these space age racers as they zoom, drift, bounce and fly through loopty-loops, giant pinball machines and monster-faced ice caves, and despite all the speed and freneticism I think this mayhem is really easy to follow. (Judging from my original review maybe the smaller screen helps.) Characters’ heads constantly float away, wiping into the next scene, a more evolved version of Ang Lee’s best moves in HULK and, now that I think about it, one of a long list of ways that this movie must’ve influenced the shit out of SCOTT PILGRIM VS. THE WORLD. There are fight scenes, Speed and Racer X vs. practicioners of nonjitsu, and you get a glimpse of the MATRIX era Wachowskis. Then it bounces into a more candy colored, silly-anime type of style with abstract backgrounds and even more exaggerated physics. (read the rest of this shit…)

Summer Movie Flashback: The X-Files: I Want To Believe

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2008
2008

I was a casual X-Files-viewing type of individual. I watched it sometimes, but not all the way until the wheels fell off. I mostly liked the funny episodes like the vampires one with Luke Wilson (written by the guy that later did HOME FRIES and Breaking Bad) or the one where the guy describes the men in black as looking like Alex Trebek and Jesse “The Body” Ventura, and then that’s who plays them in the episode. I also liked the whole ongoing story about the aliens and the black oil and shit to a point, but I mean I can only keep track of so much, fellas. I lost interest. So I kinda liked the idea of a smaller, more standalone horror movie with the X-Filesers in it, but since nobody ever claimed I WANT TO BELIEVE was any good I didn’t get around to watching it until now.

I never saw the end of the show, but it looks like Mulder and Scully both quit the FBI, and now they live together, though I don’t think anybody knows Mulder is there. Scully is a big time doctor at a Catholic hospital, Mulder is a shaggy beardo who stays in his room surrounded by news clippings and does… I don’t know. Desk work? Maybe he’s a private monster investigator, or working on a novel, or doing a video game review websight or something. Or scrapbooking maybe is what he’s into, it probly said but I missed it. (read the rest of this shit…)

Oh shit, NINJA 2 trailer!

Okay, it’s not called NINJA 2, there is a different subtitle involved. But, let’s be honest, it’s called NINJA 2.

On one hand, I don’t really understand why Scott Adkins and Isaac Florentine are (from what I understand) so ashamed of the more absurd Cannon-y elements of the first one (souped up ninja armor, oil company run by robe-wearing cultists, etc.), since that’s part of why the movie is so awesome. On the other hand I like sequels that take things in a different direction, so if this is as grim as it looks that’ll be cool too. At any rate it’s clear that it’s jam packed with fights and has at least one great badass line in it. And it’s been a while since UNDISPUTED III, it’ll be good to have the ol’ Florentine/Adkins team back. It’s also written by David White, who previously did SPECIAL FORCES and UNDISPUTED II-III.

NINJA: I’M GOING TO TRY TO BE NON-JUDGMENTAL ABOUT THEM SETTLING ON ‘SHADOW OF A TEAR’ will be playing Fantastic Fest this year with Florentine and producer Frank De Martini in attendance. (I thought Scott Adkins said on Twitter he was gonna be there too but if so that doesn’t seem to be official.) IMDb lists the release date as December 31st.

my review of the original NINJA

Albert Pyun retiring

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I heard some sad news today from Cynthia Curnan, the producer and writer of several Albert Pyun movies going back to SORCERERS in 1998. It seems that Mr. Pyun, who has recently completed his 50th movie ROAD TO HELL starring Michael Pare, has been diagnosed with multiple sclerosis and has been forced to retire from his extremely prolific filmmaking career.

I guess this has been public for a few weeks now, but I hadn’t heard about it. Pyun is a force to be reckoned with in the world of b-movies, with a few under his belt that are beloved in some circles (THE SWORD AND THE SORCERER, CYBORG, NEMESIS, BRAIN SMASHER… A LOVE STORY) and alot more that you’ve at least heard of (RADIOACTIVE DREAMS, ALIEN FROM L.A., CAPTAIN AMERICA (1990), DOLLMAN, MEAN GUNS, many others). Honestly after seeing a few of those and not liking them I tried to avoid his movies, but of course I analyzed his Tom Sizemore/Steven Seagal/Dennis Hopper movie TICKER in Seagalogy and I was surprised to find myself genuinely liking his KICKBOXER 2: THE ROAD HOME.

That’s when Albert Pyun the actual person, as opposed to the mysterious director of a million low budget movies, came onto my radar. Even though in my review I wrote “The director is Albert Pyun, but I never would’ve guessed that because it’s both watchable and kind of good,” Mr. Pyun showed up in the comments. It was a really nice and self-deprecating post responding to some questions that had come up during the course of us all trashing his filmography. Then he kept coming back to answer many questions that people had for him.
(read the rest of this shit…)

Riddick

tn_riddickThe first time we see Riddick in his new movie RIDDICK he’s buried under rocks, okie noodling a dumbass flying space lizard that mistakes him for a corpse. He’s been left for dead on the planet “not Furya” by the Necromongers from CHRONICLES OF RIDDICK, just like the planet earth tried to leave the Riddick series for dead after they found out it was the type of movies that had bad guys called the Necromongers. But as he’s demonstrated before, Riddick and his series are survivors. (Don’t get him started about it though, he’ll narrate your ear off.)

Ever since CHRONICLES in 2004 some of us have wanted to see that sequel set up at the end, where (NINE YEAR OLD SPOILER) Riddick has accidentally become the king of the aforementioned death-worshipping, statue-shaped-spaceship-flying warrior race. This is not exactly that sequel. We just find out through some awkward narration and a brief Karl Urban cameo that they got rid of Riddick by pretending they’d bring him to his birth planet and then bringing him to a different planet and breaking off a cliff that he’s standing on. Ha ha! Riddick fell for a Wile E. Coyote.

The last third of this movie is a pretty fun, mildy anti-climactic rehash of PITCH BLACK – Riddick and mercenaries declare an unwieldy truce and earn each others’ begrudging respect while fighting CGI alien monsters on a dark rainy dirt planet. But the first 2/3 is easily the best of the series so far.
(read the rest of this shit…)

Summer Movie Flashback: Sunshine

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2007
2007

Yeah, SUNSHINE is still good. It’s kinda like ALIEN but with a (SPOILER) naked crazy dude instead of an alien. Like the alien the crazy naked dude is sneaking around unseen for most of the movie, but a naked dude is harder to pull off special effects-wise than an alien so you never do see him clearly. The camera and editing program start freaking out every time he shows up, like he’s giving off some kind of interference.

A crazy naked dude doesn’t have a projectile mouth, he doesn’t have acid blood. But he’s just as unexpected on a ship with only a few crew members. And he knows how to stab people. In a way he could be more dangerous than an alien because he knows how the ship works and intentionally tries to sabotage their mission. (read the rest of this shit…)

Summer Movie Flashback: Stardust

tn_stardustrundmcafterlabordayOkay, I know it’s after Labor Day, so it’s weird that I’m continuing with this retrospective on summer movies. But you know what, they also say to never wear white shoes after Labor Day. Did that ever stop Run DMC? Fuck no. So I’m gonna keep going until I get to 2012.

Also, consider global climate change. It’s still go-out-at-night-with-no-coat weather here even though it’s Seattle, so it doesn’t seem like summer’s over to me. Therefore I find myself watching STARDUST.

The nice thing for me about this series is seeing movies that I never had much (if any) interest in, never heard anything that great about, so I watch them with no expectations at all. It’s been kinda funny how easy I’ve been on some of these and then you guys jump in and stab them a thousand times and eat their skin off and pee on ’em (metaphor). Like, I was surprised how much most of you hated VAN HELSING and especially MR. & MRS. SMITH, which I didn’t think was good but didn’t say much bad about. I think that’s ’cause alot of you saw them on the big screen when they were new and there was still hope for them to be classics. And I’m watching them having already written them off years ago.

(read the rest of this shit…)

Our buddy Fred’s interview with Andrew Davis

tn_abovethelaw…which ends with Mr. Davis promising to look up my book Seagalogy, thanks to Fred telling him about it. It’s a good interview centering on THE FUGITIVE (on the occasion of its 20th anniversary) but also giving some background on the script of ABOVE THE LAW that I sure could’ve used when I wrote the book.

thanks Fred!

here’s the interview