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Archive for the ‘Science Fiction and Space Shit’ Category

The Matrix Reloaded

Saturday, May 24th, 2003

This might bother some of you but I just want to say it up front: put me in the camp of people who say the original MATRIX really is “the shit” as the kids say when they mean that it is not shit but actually the opposite of shit, which is I guess in this case THE MATRIX. Because what these boys the Wachowski Brothers did was an extremely well executed twilight zone concept for the post William Gibson days which also happened to be the perfect vehicle to combine over the top Hong Kong martial arts traditions with american actors and computer effects AND an appropriate metaphor for our times.

I love the idea that somebody like Jackie Chan or Michael Jordan who has extraordinary physical skills could actually just be a smart dude who figured out loopholes in the laws of reality. If you can understand the program well enough you can cheat and do things that a person isn’t supposed to be able to do. In the old shaw brothers movies it was just magic or shaolin wisdom but here we put those same spectacular moves in a sci-fi context and we get a whole different spin where even some jackass like Keanu Reeves can fly through the air and be so convincing that most of American can watch him as the iconic badass Neo and not even think of him as Keanu anymore. (read the rest of this shit…)

Vern Reviews CUBE 2: HYPERCUBE and DRACULA 2: HYPERDRACULA!!

Monday, February 17th, 2003

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Vern’s a good egg. If you don’t know that by now, then catch up to the rest of us and enjoy this new review by him.

Boys –

It’s me Vern. Remember me, I write articles, win awards, etc. Today I am returning to my old shtick of reviewing straight to video sequels nobody asked for. Enjoy!

Actually the first picture I’m gonna deal with here is not completely un-asked for. The first movie CUBE was one of those small time cult movies that nobody is really rabid about but everybody kind of likes. The premise is that a group of strangers find themselves inside strange, symmetrical rooms with vault doors on each side. When they go through a door, they find themselves in a room exactly like the last one. And when they go through one of the doors in there, it’s another room exactly like that one. And when they go through one of the doors in there, it’s another room exactly like that one. And I could go on man. There’s nowhere to go. So of course they get into a George A. Romero type deal where they each have a different background and they argue and what not by they try to put aside their differences to solve the puzzle of “what in fuck’s name is going on here.” There is math, etc. (read the rest of this shit…)

Solaris (2002)

Wednesday, November 27th, 2002

Well that young bald man Steve Soderbergh is still on a roll. He just keeps hittin em, bam bam bam and even when they’re not a home run like THE LIMEY or OUT OF SIGHT they’re still real good. Hell, even FULL FRONTAL, he just squirted that one out like a soft ice cream, and it was pretty good ice cream too. This one is a little more of a sunday. It’s not my favorite soderbergh movie but that’s like saying “that’s not necessarily the greatest blowjob I ever got.” This guy has never made a bad movie. Go ahead, try to find one. You can’t. You would have to make a fake movie and put his name on it. But he didn’t make that one, you did. You can’t fool me. Fool me once, shame, shame, you can’t fool me.

First of all let me make it clear that I am ignorant on the topic of Solaris. I have not seen the legendarily long and boring and brilliant Russian version by Mr. Tartavsky. Also I have not read the book which is according to the credits what Mr. Soderbergh’s version is based on. But I did see this movie. So that’s my background on that one. (read the rest of this shit…)

E.T.: The Extra-Terrestrial

Wednesday, October 23rd, 2002

E.T.: THE EXTRA-TERRESTRIAL: THE SPECIAL EDITION: FOR THE 20TH ANNIVERSARY: THE MOVIE

This is one of those things where they take an old movie that was very popular, and then they change it, because they think the only way anybody would want to see a movie they loved on the big screen again would be if somebody just completely fucked with it and tried to ruin it. They did the same thing with the Star Trek pictures, and the exorcist (see below) and Night of the Living Dead on video (I’m still staying away from that one).

This goes into the Star Trek category where the individual who made it (Steve Spielberg) gets old, forgets everything that made him vital when he was young, and decides to change things, but claims it’s actually perfectionism. The most infamous thing here is that he wanted no guns in the movie at all. Which is kind of weird for a movie where the main characters get chased by a mob of cops. So there they are, a bunch of fuckin cops and government spooks, running around all holding a walkie talkie with their trigger fingers poised to, I don’t know, hit the little beeper button that you use for Morse code. (read the rest of this shit…)

Signs

Friday, August 2nd, 2002

There are bigger fans of M. Night Shymalan than me. He seems a little too nice to me, trying too hard to please everybody. They call him a new Spielberg but if so he’s a new Spielberg who skipped over the young vital years of Spielberg when he made shit like DUEL and JAWS. Still, I really like this young man’s style. He seems to have a couple of trademarks already. He treats supernatural themes very seriously and in a unique style that tricks mainstream audiences into thinking they are not watching a genre picture. He populates his stories with precocious child actors and movie stars who give uncharacteristically quiet performances. His stories have themes of tragedy and loss, and they are much more about character and suspense than about actual action. SIXTH SENSE was about discovering what’s goin on with these ghosts, not running from them or fighting them. And UNBREAKABLE was a super hero movie without a single scene of somebody swingin on a rope or shooting a laser or something. (read the rest of this shit…)

Reign of Fire

Friday, July 12th, 2002

I heard a rumor, or actually I just saw it on the ad, that REIGN OF FIRE is supposed to be the perfect summer movie. And in a way I think it is. Because it takes a good special effects extravaganza premise – the world is obliterated by firebreathing dragons and a small community of survivors fight back in postapocalyptic england – and treats it much smarter and more dramatic than you’d expect.

Yeah, this is a movie with computer animated dragons, and a bunch of people fighting them. But the emphasis of the story is not on the fighting. It’s always on the drama. After a prologue and a MAD MAX-like dragons-take-over-the-world explanation montage, you get basically a DAY OF THE DEAD setup. Here is this community of survivors living in spruced up castle ruins using what limited resources they can find to survive. You find out about their whole system – how they eat, their security system, how they use birds for lookout and what they teach their kids to do if they see a dragon. There’s also a little I AM LEGEND in there because they treat the dragons scientifically. They are not magical. They explain how they breathe fire, how they reproduce, the best way to kill them. (read the rest of this shit…)

Minority Report

Friday, June 21st, 2002

Like PLANET OF THE APES, INVASION OF THE BODY SNATCHERS and soon STAR WARS PART 2, MINORITY REPORT is a sci-fi picture that will mainly be discussed in context with the politics of the time. (the time being now. because it came out today.)

Again like the Yoda picture, it has been in the planning stages long enough that director Steven Spielberg (JAWS) and co-writer Scott Frank (I only remember him because he did OUT OF SIGHT. who knows who the other writer is) couldn’t have known how timely it would turn out to be. The movie takes place in Washington DC, 2056, where Tom Cruise is an agent in the flagship “Pre-Crime Deparment” – cops who use three water-submerged psychic “precogs” to track crimes of passion that haven’t even happened yet. (read the rest of this shit…)

How to Make a Monster (2001)

Wednesday, June 12th, 2002

Some of you will wonder why I choose to watch this kind of crap. The answer is because of the French.

This one is from a series of movies made for cable called Creature Features. They have special effecting by Stan Winston (director of A GNOME NAMED GNORM) and are all based on the premises or titles of old movies produced by Samuel Z. Arkoff. They got SHE-MONSTER, DAN AYCKROYD VS. SPIDERMAN and many others. The one I’m waiting for is actually TEENAGE CAVEMAN directed by Larry Clark, the pervert who did KIDS and BULLY and ANOTHER DAY IN PARADISE where the main kid wears his pants so low you can see his fuckin pubes. Jesus, Larry! (read the rest of this shit…)

Star Wars: Episode II – Attack of the Clones

Thursday, May 16th, 2002

STARWARS VOL. II: ATTACK OF THE CLONES

a.k.a. YODA VS. DRACULA

This is a picture that most people already have an opinion on, that will never change, whether they’ve seen it or not. This is only one of those opinions.

First of all, I enjoyed this picture. I laughed at some of the cornball speeches, the sometimes stiff acting, and a couple bad puns. But you know, I can get into this space ‘n robots shit sometimes, and for one main reason: Dracula. As you know from my review of Lord of the Rings Part 1, I enjoy any picture where some dude has a duel with Dracula. This one raises the bar by making the dude be a little green space-elf/Shaolin monk. (read the rest of this shit…)

Jason X

Saturday, April 27th, 2002

JASON X is the future of slasher franchises left over from the ’80s, and not just because it’s about Jason Voorhees being frozen and defrosted in outer space 450 years later. No, this is the future because it finally figured out a good approach to keeping these stupid characters going. This isn’t trying to update things by infusing the same old crap with last month’s stale gimmicks. See for example the upcoming Blair Witch/webcast Halloween picture you see advertised before JASON X (although I do like seeing Buster Rhymes say “Trick or treat motherfucker!” – wouldn’t he make a better Dolemite than LL Cool J?)

No, this one works because it works as a genuine dumb slasher movie, as a parody of one, and as some weird pop culture accident where a familiar series got thrown into the wrong genre unexpectedly. It’s a more consistent attempt at the BRIDE OF CHUCKY approach to modern slasher sequels. Take the character and cliches from the earlier sequels, put them in a way more ludicrous situation (and it really is WAY more ludicrous in this case) and have fun. (read the rest of this shit…)