A SCANNER DARKLY, Richard (BAD NEWS BEARS) Linklater’s new adaptation of the Philip K. Dick novel, is a visionary and boldly stylized look at the tragedies of the drug culture and the growing police state. Its psychedelic style of wobbly, traced-over animation creates a fluid, disconnected reality that perfectly captures–
Ah fuck, who am I fooling. This movie put me to fuckin sleep.
Maybe it’s over my head, I won’t rule that out. And I don’t want to say it’s necessarily a terrible movie (like WAKING LIFE – I hate that god damn movie). I haven’t read the book, and maybe people who did will enjoy it. Who knows. I think I admire what the movie is going for but that doesn’t change the fact that, to me anyway, it’s a meandering bore with barely any characters, humor or even plot to latch onto.
Keanu Reeves plays a narc who goes undercover with a bunch of hippies using a drug called “Substance D.” But he truly is addicted to the drug so also is undercover among the cops. Because it’s 7 years in the future he wears a “scramble suit” to hide his identity when talking to other cops. This is a suit that causes every part of his face and clothes to constantly morph into different identities (Michael Jackson’s “Black Or White” video on acid) and is probaly the most clever use of the animation (even if the gimmick gets old fast). The movie takes place in a surveillance-obsessed future where everything everybody does gets holographically recorded and then his job as a “scanner” is to go through the footage on fast forward. (It is not related to SCANNERS or SCANNER COP.) Because his drug use causes damage to his brain he begins to spy on himself without realizing that it’s himself (or at least that’s what I gather after reading up on the book afterwards.) (more…)


















