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Posts Tagged ‘Patricia Arquette’

Boyhood

Wednesday, September 10th, 2014

tn_boyhoodNote: I sincerely considered whether or not it was feasible to write this review one paragraph per year for 12 years. I decided maybe somebody else should do it.

When we first met Richard Linklater in the ’90s, his specialty was the one-day movie. SLACKER and DAZED AND CONFUSED captured a moment in time by following a group of characters (or a random selection of Austin weirdos) at a particular time. But all these years later he’s fascinated with the opposite: showing the same actors over a long period of time, seeing how things change. He started by following up the characters from the one-day BEFORE SUNRISE seven years later, and then fourteen years later. And with BOYHOOD, as you’ve probly heard, he somehow managed to make a movie with a star who is 7 years old at the beginning and he filmed a little bit each year until the year he starts college. About the only thing that would be more ambitious would be if he made a movie about trying to get me to sit through WAKING LIFE again.

The result is a movie as impressive as it sounds and much more involving. It still has that day-in-the-life feel, it’s just that it’s a whole bunch of days spread out across years. You know what, maybe alot of you other directors are just rushing things. Where’s the fire, man? Take the time to let your actors grow up on camera. Don’t be lazy. (read the rest of this shit…)

True Romance

Monday, August 20th, 2012

TRUE ROMANCE is an entertaining, uniquely textured crime movie, a celebration of youthful love, kitsch, Asian exploitation cinema, and great character actors. At the time it seemed like a new feel, especially coming from Tony Scott. Now it’s more notable as a record of young, undisciplined Quentin Tarantino manning the word processor. (Roger Avary was hired to restructure the original non-linear story and write an ending where the hero doesn’t die – yeah, that sounds like young QT all right.)
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Bringing Out the Dead

Thursday, January 28th, 2010

tn_bringingoutthedeadBRINGING OUT THE DEAD is Martin Scorsese at his most nightmarish and hallucinogenic, a movie almost entirely in helicopters-overhead-paranoid-end-of-GOODFELLAS mode. That’s ’cause it’s about night shift EMT workers, which I think we can safely assume is probly a pretty stressful job. The movie is written by Paul Schrader based on one of those “this job is fucked and we’re all on drugs” type exposes, like Kitchen Confidential was for chefs.

Man of the hour Nic Cage plays Frank Pierce, who doesn’t get enough sleep and thinks he sees the ghosts of everyone he’s failed to save. He has a hard time feeling like a hero since most of the calls he gets are DOA or false alarms. He’s always doing CPR on dead babies or begging the hellishly overcrowded hospital to take in a vegetable. He’s so tired of bum-out cardiac arrests (“COME ON, PEOPLE!” he scolds) that he’s happy dealing with the notoriously foul-smelling drunk Mr. O, who calls in every time he’s wasted. The one time Frank does succeed in resuscitating a guy he feels guilty about it and imagines the man telling him to let him die. (read the rest of this shit…)

Human Nature

Saturday, April 13th, 2002

This is a story about the dude who Wrote BEING JOHN MALKOVICH and how if that movie alone didn’t prove that he was some kind of demented genius, then this one does. HUMAN NATURE is the story of a woman with a hormonal problem causing her whole body to be covered with hair, who lives among the animals until she falls in love with a scientist whose life work involves teaching mice the difference between a salad fork and a regular fork. Together they try to civilize a feral man who grew up in the woods thinking he was an ape.

Sounds completely silly and random, right? But what surprised me, a film expert, was the amount of Substance in there. If this were just a regular, make you laugh kind of comedy it would still be the most original, and funniest, in a long time. There were less than ten people at the showing I went to and I was embarassed because I was laughing harder than anyone else. But believe me, I’m the one that’s right. This movie is fuckin hilarious. (read the rest of this shit…)