The Fifth Element is your usual Bruce Willis movie that starts out in Egypt in 1934 and ends up in some fancy space hotel in 2334 with this blue skinned space opera lady singing opera and then busting off dance moves. Bruce is introduced down on his luck, pretty much like in the Die Hards – his wife left him, he’s trying to quit smoking, his mom won’t stop hassling him and he’s “5 points away” from losing his job as a flying cab driver in space age New York.

In fact this is a lot like a Die Hard movie except in a cartoony comic book space world instead of a building. Instead of talking to a cop on a walkie talkie, he just talks to his mom on the phone, and instead of terrorists there’s this big ball of fire hurtling toward the earth that turns light to dark, life to death, sometimes has a giant skull for a face, eats missiles and sattelites, and calls himself Mr. Shadow during phone calls.

It’s a pretty simple plot. There are these four stones that combined with a perfect being called “the fifth element” can stop the ball of fire. These stones are in Egypt but then these fat robot guys come down from space and take them away for safe keeping. But then 300 years later they try to bring them back but their ship gets blown up by these muppet dog men. But the government finds a glove inside the ship and they use it to construct the perfect being, a hot orange headed gal named Leloo. So then she and a priest and Korben Dallas have to pretend they won this contest and go to the space hotel and the rocks are inside the belly of a singer so after she dies they take them out of the belly and there is a shoot out so they bring them to Egypt and do the whole ritual and whatnot.

The appeal of this picture is mainly visual. It’s a real spectacle like some artsy fartsy comic book some frenchy would do. Bruce doesn’t joke too much and he gets some corny lines like, “There are some very good words in V: valiant, vulnerable, very beautiful.” (more…)

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