The traditional action hero is a loner. He might have friends, but he lives and travels by himself. He drifts into town on a motorcycle or on foot, or he lives alone in a filthy apartment, loft, car, or trailer. Maybe he has a kid, usually a daughter, but if so she’s likely been kidnapped and he’s trying to get her back. He might’ve had a family before, might be seeking revenge for their deaths. More likely he just screwed it up. He was too obsessed with his job, or with a specific case or vendetta. She wanted him to quit. Couldn’t take all the worrying anymore. He meant well but he knows it was all his fault. Now he drinks.
There are exceptions to this, but how many? Off the top of my head I can only think of Billy Jack, who is married, Charli Baltimore, who already has a family when she remembers she’s an assassin, and Riggs, who goes and gets married after a couple of sequels. So it happens, but not that often.
That’s one reason why ex-CIA-analyst Jack Ryan (Harrison Ford) feels different from other action heroes, and why this type of movie could be considered Adult Contemporary Action. Not only is he a family man before he’s an asskicker, but the movie heavily deals with his family life. He’s got a very successful surgeon wife (Anne Archer), who is pregnant, and a young daughter (Thora Birch), who has pinups of Jason Priestley. They go on a trip to London. They live in a big town house out in the country near DC. He works as a history professor and lecturer (arguably not a badass juxtaposition, since he’s teaching about historical conflicts and strategies, things meant to be applicable to his CIA agentry). (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.