Disney’s POCAHONTAS is the big animated feature of the summer of 1995, a part of the “Disney Renaissance” and feature animation resurgence that started in the late ’80s and early ’90s. But if the popularity of Disney animation was a motherfucker trying to ice skate uphill, this would be the point when he had just reached the top and now was beginning to slide back down in reverse. It came out a year almost to the day after THE LION KING, the tale of fathers and sons and a bunch of unrelated songs about a farting warthog and a smartass weasel guy or whatever, which smashed all box office records for animated features and remained the highest grossing of all time until TOY STORY 3 beat it 16 years later. More importantly, POCAHONTAS came about 5 months before the first TOY STORY arrived like a European with an infected blanket, triggering the end of the popularity of line drawings on the big screen.
Though not very highly regarded, and controversial for its fictionalization of history, I think POCAHONTAS is a respectable swan song for the age of Disney hand drawn animation. It goes whole hog with the house formula of glamorous heroines in a Broadway-inspired musical format, but takes some risks and, most notably, gloriously showcases the artistry of the studio’s best animators, designers and colorists. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.