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Posts Tagged ‘green screen’

The Spirit

Saturday, January 3rd, 2009

Yes, as you’ve heard by now, THE SPIRIT is a terrible movie. But don’t fall into the trap I did. Just because almost everyone agrees that it’s terrible doesn’t mean it’s funny or interesting to watch. I thought it looked bad from the trailers and really had no interest until I started seeing some of these reviews comparing it to various landmarks in bad movie history. The more vicious the reviews got the more I started to think shit, I kind of want to see that. People acted like it was some bizarre Ed Wood type shit that they couldn’t believe they were seeing.

Well, there are a couple weird touches. For some reason Samuel L. Jackson’s villain character, The Octopus, talks about eggs all the time. Seriously, he just keeps bringing them up – “I beat you like an egg,” “I don’t have egg on my face,” etc. etc. It’s worse than Tarantino’s obsession with feet. Also there’s a part where SPY KIDS style home computer effects depict a little tiny head attached to a foot that hops around on a table in front of him and he keeps saying it’s “plain damn weird.” I kind of wish writer/director Frank Miller was in the theater to experience the uncomfortable silence as the scene milked the “joke” over and over again for a couple minutes, clearly convinced it was hilarious. (read the rest of this shit…)

Sin City

Friday, April 1st, 2005

There’s alot of comic strip books turned into movies but usually they Hollywood em up alot. They change the story and the super hero clothes and turn brits into americans and alot of the fans are fundamentalists so they get pretty upset. Batman doesn’t have nipples because bats don’t have nipples, Super-man isn’t supposed to wear that shade of blue it is actually a different shade of blue, that kind of thing.

So what Robert Rodriguez did for this comic strip SIN CITY, he actually brought in the writer/cartoonist from the comic, made him co-director, and apparently pretty much used the comic as storyboards and script. He used his cool digital movie cameras and convinced a great cast to come in and fuck around in front of green screens and used computers for almost all the backgrounds. According to my team of expert nerds, there are scenes and lines from the funny pages that they cut out here and there and they mixed things together a little bit at the beginning in order to combine three stories into one. But for the most part the shots are based on the drawings and everything written on the page is said out loud in the movie. An obsessive level of faithfulness never thought possible even by Harry Knowles himself. Maybe the most faithful movie adaptation of anything ever, including plays, novels and trading cards. (read the rest of this shit…)

Sky Captain and the World of Tomorrow

Friday, September 17th, 2004

Sometimes it almost seems like there’s a whole genre of “INDIANA JONES-TYPE” pictures – movies that look back nostalgically to those golden days when George Lucas looked back nostalgically to those other golden days. THE MUMMY is one example of this horrible type of picture.

I bet some individuals consider SKY CAPTAIN AND THE WORLD OF TOMORROW to be in that same category, but I think it’s different. It doesn’t have that same third generation xerox feel, because this movie actually feels alot more like the old serials and pulp novels and crap that influenced the genre than the STAR WARS pictures and what not do. The technology used is very modern (apparently it was all shot with actors in front of blue screens and everything else is computered in there) but there’s not a whole lot of modernizing going on here. It takes place in some alternate 1930s where THE WIZARD OF OZ exists but the Hindenburg never blew up and some British fighter jet hot shot named Joseph Sky Captain defends America and the world from evil science with his “army for hire” and wacky inventor sidekick. (read the rest of this shit…)