"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Robert Longstreet’

Fuck My Son!

Wednesday, December 10th, 2025

FUCK MY SON! is a movie that, for the foreseeable future, you’re only gonna see if it comes to your town as part of a road show. Writer/director Todd Rohal (THE GUATEMALAN HANDSHAKE, THE CATECHISM CATACLYSM) is traveling around with a 35mm print that hit Seattle last weekend and has many more stops lined up.

Rohal says he plans to do that for at least a year, and that he’ll never license it to streaming, though eventually it will come to physical media. But it’s the kind of thing that if you’re gonna have a great time it’s probly gonna be in a midnight movie (for me 8pm) type scenario laughing, cringing and groaning together with other area weirdos. Did I mention it’s called FUCK MY SON!?

It’s based on a comic book by Johnny Ryan (Looney Tunes Cartoons, Who Raped My Horse?), and this screening started with a puppet show based on another Ryan comic, followed by a discussion between Ryan and fellow alternative comix legend Peter Bagge. The former was grossed out by the fake poop left on the ground by the puppeteers and made Rohal clean it up. (read the rest of this shit…)

The Catechism Cataclysm

Tuesday, December 9th, 2025

THE CATECHISM CATACLYSM (2011) is weirdly-titled Todd Rohal comedy #2, and truly the only thing I knew about it was that the OCN partner label Factory 25 gave it a special edition blu-ray a few years ago and some people seemed to think it was some type of cult classic. I feel pretty ignorant now because it turns out it’s a Seattle production and I even know a couple people in the credits. I had no idea.

I also didn’t know that it’s a two-hander with two actors I like who I’ve never seen in lead roles like this before. Steve Little, who I know as Kenny Powers’ sycophantic sidekick Stevie Janowski on Eastbound & Down, plays a very similar character here, except that he has somehow become a priest. Father Billy causes concern with the elders when they overhear him telling a long story to his Bible study group and admitting it’s not biblical, not allegorical, just some crazy shit he read on the internet. “It was more of a joke story,” he explains when asked how it pertains to their discussion of Deuteronomy. He’s also into heavy metal, calls everybody “dude,” and doesn’t know how to modulate in front of people who expect him to behave like a grown adult and/or clergyman. (read the rest of this shit…)

I Don’t Feel At Home In This World Anymore

Thursday, September 14th, 2023

(disclaimer: Netflix continues to suck and needs to stop holding the American movie industry hostage by clinging to a clearly unsustainable exploitation-based business model. Also they have some good movies on there.)

I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (2017) is a darkly comedic crime tale in a subgenre I would maybe describe as suburban pulp. A very ordinary, relatable protagonist falls victim to a very ordinary crime (burglary) and, compounded with the other indignities of her life (like some motherfucker always letting his dog shit on her lawn, even with a sign specifically saying not to do that), it pushes her past her usual timid boundaries into seeking some sense of justice. That gives her a peek into an underworld of corruption and depravity on the fringes of her town (filmed in and/or around Portland, Oregon). Nothing big time – just some rich assholes and some meth head weirdos, but certainly outside of her previous experience.

Melanie Lynskey (THE FRIGHTENERS) plays Ruth – single, depressed, put upon nursing assistant. The grimness of her existence is well summed up by the title as well as the first few minutes of the movie. It’s a series of illustrations of the overwhelming shittiness of modern living, most of them relatable, but also a pretty outrageous one where an elderly patient is watching cable news and growls just about the most obscenely racist thing you can imagine, then immediately dies. Later, her grieving son asks if there were any last words. (read the rest of this shit…)

Halloween Kills

Wednesday, October 20th, 2021

HALLOWEEN KILLS is the controversial new film from director David Gordon Green (YOUR HIGHNESS). It is a sequel to his 2018 film HALLOWEEN, which was a sequel to John Carpenter’s 1978 film HALLOWEEN, but not any of the other nine HALLOWEEN movies. It’s in the unusual (unprecedented?) situation of being a slasher movie that’s the middle chapter in an already planned and greenlit trilogy – I see it as part 2 of Green’s HALLOWEEN II series.

When I went to the first show on Friday I had already seen enough comments online to sense that many or most people disliked, strongly disliked, or flat out despised HALLOWEEN KILLS, in many cases sounding like they were prepared to live for decades as recluses building traps and practicing firearms on mannequins to prepare for when it comes for them again. I clearly don’t have my finger on the pulse of what other horror fans are looking for these days, because I’m positive had I seen it before hearing anything about it I would’ve figured it would go over well. As a guy who enjoys all but one of the HALLOWEEN movies on some level and will keep watching them over and over forever, I feel like it’s plain as day that KILLS has more on its mind than most of them, looks way better than most of them, and finds an approach that’s very different from what we expect or are used to, feeling fresh and new despite being more reverent of the first film than any previous sequel. It’s the kind of thing where if I didn’t like it so much I would have to at least respect it. But many people obviously don’t see it that way. (read the rest of this shit…)