"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Richard Lawson’

Johnnie Mae Gibson: F.B.I.

Monday, February 26th, 2018

(a.k.a. JOHNNIE GIBSON F.B.I. if you go by the VHS tape)

JOHNNIE MAE GIBSON: FBI is a TV movie directed by Bill Duke. It aired on CBS in October of 1986 against a World Series game. I found a New York Times review from the time lamenting that it was routine TV formula. Accurate, but thirtysome years later the routine TV formula of 1986 has a certain retro appeal.

It’s a premature biopic of a respected FBI agent (Lynn Whitfield, JAWS: THE REVENGE) who was still on active duty at the time. Only the fifth ever African-American female agent at the bureau, she was known for extreme cool under pressure in undercover assignments and a high arrest record, many from “old dog” cold cases they dumped off on her.

We see her rise from a childhood in rural Georgia, poor family, sick mother (Veronica Redd, The Young and the Restless), mean father (Henry G. Sanders, REBEL, CHILD’S PLAY 3, ROCKY BALBOA). One scene involves a white family offering them a Thanksgiving turkey, her father refusing it, and her getting it anyway and surprising the family with it. her dad throws a fit and knocks it onto the floor. So much is established in this scene: Johnnie’s fearlessness and insistence on doing her own thing, her lifetime of dealing with angry men, but also her dad’s attempt to instill self-reliance into her, and the idea that her willingness to engage with white people makes her an outlier. (read the rest of this shit…)

The Jericho Mile

Monday, March 9th, 2015

tn_jerichomilerookiesIf you count TV movies – and I do – JERICHO MILE is Michael Mann’s directivational debut. It’s not as cinematic as his later big, wide movies, but it’s from the days when TV movies were legit enough to play theatrically overseas. It also stood out from other TV at the time, winning Emmies for writing, lead actor (over Kurt Russell in ELVIS!) and film editing for a limited series or special, and a Director’s Guild Award for “Outstanding Directorial Achievement in Special/Movies for TV/Actuality.” (?)

It’s a prison movie, and you know Mann isn’t gonna want to soften that up. I mean, it’s TV so we don’t get any profanity, racial slurs or rape, but it’s still got a gritty feel because it was filmed in Folsom with the real inmates all around, and plenty of establishing montages that are clearly just documentary footage. You can definitely tell that some of the supporting players are real cons. I wasn’t surprised when I read that Mann had to negotiate for each of the race gangs (white, black and Latin) to have representatives on screen and vow to prevent any race wars or riots during filming so the production wouldn’t be kicked out. I mean obviously it’s an unwritten rule on pretty much all movie sets that the actors should not be involved in any race wars. But I still give them credit for not having one. Apparently there were a bunch of stabbings, one fatal, but those were allowed. (read the rest of this shit…)