SING SING is an unusual movie with a simple appeal: it’s about a theater program in a prison, and most of the cast is made up of actual graduates of the program playing versions of themselves, so there’s an unmistakable feeling of authenticity completely outside of a normal Hollywood production. We see interjections of unscripted or documentary scenes – auditions, video of real plays – but mostly we just see very natural performances by actors/characters speaking or drawing from their hearts in ways that cut deep.
One of the familiar actors in the movie is Paul Raci (DRAGON: THE BRUCE LEE STORY) as the director, Brent, a mentor character similar to his Oscar nominated one in SOUND OF METAL. I forgot exactly what Raci’s background was and fell for the illusion that he was pretty much a real guy going into social worker mode. There’s a scene where as an acting exercise they close their eyes and imagine their happiest place, then they go around the circle and describe what they thought about. They’re all talking about their childhood or about being with their kids or about the pain of their lives in isolation. When Brent notes that men don’t usually get to be emotionally vulnerable like this it could be a scripted line, but it doesn’t feel like one, it feels like just honestly running the exercise and appreciating how it goes. (read the rest of this shit…)
SOUND OF METAL is not what I pictured at all. It’s about this guy Ruben (Riz Ahmed, 
