"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Paul Giamatti’

Lady in the Water

Tuesday, July 25th, 2006

M. NIGHT SHYAMALAN’S LADY IN THE WATER
a bedtime story by M. Night Shyamalan
directed by M. Night Shyamalan
produced by M. N. Shyamalan
written by M. Night Shyamalan
co-starring M. Night Shyamalan
inspired by the true adventures of M. Night Shyamalan
dedicated to M. Night

The movie I really wanted to watch this week was WASSUP ROCKERS, but for some reason it went straight to the second run theater in Seattle. That theater’s a little out of the way for me and today I just wanted somewhere nearby with some air conditioning, so instead of seeing Larry Clark ogle Hispanic skateboarders from Compton I got to see M. Night Shyamalan ogling Ron Howard’s daughter. I’m not sure which one’s freakier. (read the rest of this shit…)

Sideways

Sunday, December 26th, 2004

So there’s these two middle aged dudes, Miles (Paul Giamatti) and Jack (some dude from a sitcom they used to have). Jack is an ex-soap star who’s about to get married, Miles is a depressed middle school english teacher who can’t get his novel published and is obsessed with wine. Together they have to stop a criminal mastermind who is poisoning the wine supply in the San Fernando valley and turning wine drinkers into an army of zombies.

Actually I made that last part up but what it’s actually about is they go on a trip into wine country the last week before the wedding. The idea is for Miles to show Jack “a good time” which to him means going around tasting wine and showing off that you know how the grapes were grown and what year it is and stupid crap like that. I mean in this movie you got people talking on and on about Pino this and 1961 is peaking and all this shit, they might as well be talking backwards, you got no idea what these idiots are blabbing about. Except when they start talking about how fragile the grapes are or something, and it is obviously a parallel to their own emotional state or their dreams or something. But I’m sorry, metaphors are not a good enough excuse for that kind of talk. Anyway, it works for the movie because they are good characters. You are not supposed to think their wine talk is cool. (read the rest of this shit…)

SIFF: Vern is cooler than all of us, he’s seen AMERICAN SPLENDOR!

Tuesday, June 10th, 2003

Hey folks, Harry here… Underground Comix are one of the great joys on this planet, one that unfortunately… many in the world have not experienced. Most folks that know of Harvey Pekar, probably know of him via either his Letterman appearances long ago or his radio show. However, they are missing the glory that is AMERICAN SPLENDOR. A comic with his brilliant narrative and the illustrative talents of gods like Robert Crumb (you know him), Paul Mavrides (co-artist with Gilbert Shelton on some of the genius that is THE FABULOUS FURRY FREAK BROS.) and Frank Stack (those wonderful NEW ADVENTURES OF JESUS!) While I’m dying to see this film, having been a reader of AMERICAN SPLENDOR – pretty much all my life… at least since STAR WARS entered the world, I have one thing that I’m dying to see more than this flick… Next year’s edition of AMERICAN SPLENDOR – which will deal with Pekar’s experiences at Sundance, Cannes and whatnot. Could be AMAZING stuff. His Blog at http://www.harveypekar.com has been pretty great through all of this. Here’s the trailers and VERN’s take on the film which has won awards at both Sundance and Cannes.

Howdy boys,

Vern here still at the Seattle International Film Festival which is a very good film festival to go to in my opinion, because you just have to take the bus to get there. If you live in Seattle.

Anyway here’s the deal, I know you guys are still arguing about “is the Incredible Hulk phoney looking or not” and etc. but I got another comic book movie that is gonna blow you fuckers through the back of the theater. You thought Huge Ackman was born to play Wolverine, you thought Wesley Snipes redefined comic book acting with his performance in Blade, well what about Paul Giamatti playing Harvey Pekar in AMERICAN SPLENDOR? His super powers involve that he writes a comic book, he is a file clerk at a hospital, etc. This is a great performance and a good movie and why are you looking at me so blankly. It won sundance man come on. Did spider-man ever win sundance? Did snoopy ever win sundance? Not even once, in my opinion. (read the rest of this shit…)

Storytelling

Friday, January 25th, 2002

I don’t know what you’ve heard about this one, but I keep hearing that it’s a pile of shit. That Todd Solondz has gone from a visionary manipulator of our deepest taboos and human flaws, to some kind of shock value asshole just trying to get a rise out of people. That this is just a big fuck you to the audience with no sense of humanity and etc. etc.

Well none of that is true. I’m not gonna say this is a perfect movie. It feels a little short (apparently they cut out one of three stories, and that seems like it mighta been a mistake). But if it weren’t for all the shit I heard from contrarians waiting to pounce on their former hero, I would say that anybody who liked HAPPINESS would like this one too. Because it’s the same kind of feel – a deep probing of the things that make individuals the most uncomfortable. It’s not as sad as HAPPINESS but it has that same feeling that it is daring you to laugh. Come on motherfucker. Laugh at this. I fucking dare you. Remember, you’re in public here. Do you have the balls to let everyone else in this room know that you think that’s funny?

Do you? (read the rest of this shit…)