COPSHOP is the latest smart-alecky, artfully lowbrow violencefest from director Joe Carnahan (rewriting a script credited to Canadian financial advisor Kurt McLeod, story by Mark Williams [HONEST THIEF]). I tend to like Carnahan’s work more than dislike it, and I like that he seems to have settled on Frank Grillo (THE GREY) as his main guy and gotten a little better grip on the collar of that SMOKIN’ ACES chaos he likes to set loose. In both this and last year’s time-loop movie BOSS LEVEL Carnahan has found a good balance between the macho rowdiness, the cleverness and touches of sentimentality, and given Grillo a good sleazy-likable-asshole-antihero-fuckup to play.
I guess he’s more anti and less hero in this one. It’s clearly a modern western, and if it’s THE GOOD, THE BAD AND THE UGLY he sure ain’t the good. But his main motivation throughout the movie is to warn his ex-wife and daughter that they’re in danger, so how could we completely hate him? He plays Teddy Murretto, a Vegas (or Reno?) fixer on the run with a bag of something valuable. On foot with time running out, enemies closing in and nowhere to go, he punches a random cop so that he can hide out in a jail cell. (read the rest of this shit…)
CHAPPIE is a slight but sweet sci-fi story from South Africa’s Neill Blomkamp. It’s like a meaner SHORT CIRCUIT or an unexpectedly good Asylum knockoff of the 
Meanwhile the weirdo South African electronical rap group Die Antwoord are involved in a drug deal gone bad and busted up by Scouts. A scary gangster named Hippo (Brandon Auret, who played mercenaries in both of Blomkamp’s other movies) who has a crazy hairdo that would make any David Ayer character teary eyed with envy, says they owe him a ridiculous amount of money, so they decide they have no choice but to quickly pull off the heist of a lifetime so he doesn’t kill them. That leads to the hair-brained idea of kidnapping Deon to get “the remote” that they assume he has for clicking the power off on the city’s law enforcement. For some reason he doesn’t really have one, go figure. So as a compromise he installs his A.I. program in a damaged police robot for them to teach how to be “the illest gangster” and use robot powers such as jump high and metal punch to help them pull off their robbery. 
ELYSIUM is a real solid sci-fi picture, and different from the ones we usually see these days. The story is pretty simple: Max (Matt Damon), a hard-working ex-con in the shitty world of 2154, gets fucked over by an easily preventable industrial accident. It’s gonna kill him in 5 days but he knows if he was only on Elysium, the space station where all the rich people live after abandoning this polluted, overpopulated shit pile, the medical care he needs would be easily accessible. So he’ll try anything to live, including going back to work for his old crime boss who is involved in some (unsuccessful, from what we see) attempts to smuggle the tired, poor, huddled masses onto Elysium.
