WICKED: PART I starts near the end of THE WIZARD OF OZ. The Wicked Witch of the West is dead, felled by a well-aimed bucket of water. The celebration commences. Glinda the Good Witch (Ariana Grande, DON’T LOOK UP) arrives in her bubble to address the crowd, and somebody asks her if she knew that dead lady. So she tells us (part one of) the story of her days as the college roommate of the would-be wicked witch.
I’m gonna start this review with a flash forward too. I thought this movie was okay. I didn’t hate it. I don’t really get it. Stay tuned for details.
I sometimes say I’m not a musicals guy, but really I’m just not a Broadway guy. It’s not as much the “I’m gonna start singing now” format as it is the specific modern Broadway style of storytelling, tone of melodrama, sense of humor, and especially musical styles that don’t appeal to me. Case in point: huge crossover hit and cultural phenomenon Hamilton (Disney+ version). I swear I tried to watch it with an open mind, but I just don’t know how to stop wincing. It sets off all my too-corny defense systems.
(read the rest of this shit…)
Well, I’m afraid it seems my fellow people who write about movies were not open to a giant corporation treating an 80+ year old animation masterpiece as i.p. to remake in a modern style, especially coming from a once A-list director they’ve turned on in his later, weirder years. So they engaged in a hyperbole measuring contest to find out who could hate Robert Zemeckis’s PINOCCHIO (2022) most outlandishly.
