There was a time a couple years ago when it seemed like every day the headlines were just trying to out-crazy the day before. Planes falling out of the sky, anthrax in the mail, snipers on the loose, hurricanes, that lady releasing doves for each charge Michael Jackson was acquitted of… you wouldn’t have been surprised to get the morning paper and read that killer bees had swarmed Congress, rabid baboons were loose on the Space Shuttle and the Olsen twins had torched themselves outside of the “Today Show” window to protest censorship of rap music and video games. There are no baboons in CHILDREN OF MEN (there is a deer walking through a building, come to think of it) but this is a movie that perfectly captures that knot in your stomach, that feeling of madness, where the world has gone so crazy you keep bouncing between complete desensitized detachment and wanting to cry at the slightest provocation.
Technically this is a sci-fi movie, but it doesn’t feel like it. It feels so fuckin real. Most dystopia movies are stylized in some way to make them look cool. This one goes for reality. The only futuristic technology you see is for mundane things like video games and animated bus ads. It looks great (like all of director Alfonso Cuaron’s movies) but not like a beautiful painting, more like a good documentary, and mostly shot handheld. There are 4 or 5 classic sequences here that I have no idea how they could’ve possibly been done. Like, there’s a scene where Clive Owen, the hero, runs through a war zone surrounded by total fuckin mayhem. In what appears to be one continuous handheld shot he runs between buildings, up stairs, through hallways evading hundreds of gunshots, seeing tanks blow up buildings, having emotional moments with other characters. And not a moment of it looked artificial to me. The only thing in the whole movie that struck me as a special effect was, of all things, a baby. And that was a good special effect. But the rest looked like reality. (read the rest of this shit…)
Hey, everyone. ”Moriarty” here.
ATTACK FORCE is Steven Seagal’s latest, where he takes on a bunch of sexy people given super powers by an experimental military drug. But until recently it was listed on IMDb as HARVESTER, where he takes on a bunch of aliens. After I savaged the last one, SHADOW MAN, I got a nice email from Seagal’s co-writer Joe Halpin, who I found very humble and down to earth. Having his ear for a minute I didn’t want to be rude and bury him in an avalanche of questions, but I couldn’t resist asking if this HARVESTER movie would really end up being about aliens, or if they would chicken out like they did with the “biological mutants” that ended up not being in SUBMERGED.
I meant to see APOCALYPTO this week but I was too god damn sick to haul my ass to the theater. So I figured what the hell, it’s December, I’m Vern – might as well revisit LETHAL WEAPON. Haven’t seen that one since the ’80s. One of my buddies swears by it.
SPOILER ALERT !!
get it, gingerDEAD instead of gingerBREAD
Hey, everyone. ”Moriarty” here.
This is a documentary about the Dixie Chicks. Now, you probaly won’t be surprised to hear that I got no interest in the music of the Dixie Chicks. But you may or may not be surprised to hear that I liked the movie alot.
No, this is not the one where Adam Sandler has a magic remote control that he uses to conquer the world, that’s CLICK. This is CRANK, this is the one where Jason Statham (the Transporter himself) is a hitman who gets injected by high concept poison. It’s gonna kill him, but he figures out that it won’t finish until his adrenaline rate goes down. So he tries to run around, have sex, do coke and get in shootouts until he is able to get revenge on the poisoner. So it’s SPEED in a guy, with a side order of revenge.
