THE POLAR EXPRESS 3-D IMAX SPOOKARAMA
A few years back I wrote a piece called FINAL FANTASY: THE SPIRITS WITHIN (working title: BORING: THE MOVIE). It is available on this web sight as well as in my collection 5 On the Outside. In the piece I talked about the wrongness of computer animators trying to create photorealistic human characters. I argued that no matter how real they looked they would never look completely real, because they wouldn’t be able to walk quite right, or have a human soul, etc. I guess I didn’t mention it in that piece but there was a scene in the movie where two realistic human characters kissed, and it was like watching mannequins go at it.
(For your information, there’s a porno called REAL DOLL: THE MOVIE where pornographic professionals like Ron Jeremy stick their penises inside ten thousand dollar silicone sex dummies. That movie is disturbing in a different way from FINAL FANTASY because the dolls are not moving and their faces don’t look alive. So it looks like these guys are having their way with dead bodies. But picture two of the dolls going at it with no animate objects involved. Then picture a rated PG version of that. That’s the scene in FINAL FANTASY, I guess. It’s not natural.)
Well nobody seemed to care back then but now many of the ideas I presented in that piece have worked their way into the mainstream, as reviewers of the new computerfied Robert Zemeckis Christmas fantasy THE POLAR EXPRESS have criticized the creepy, dead eyed look of its overly realistic computerized cartoon characters. Japanese roboticists have even expanded on my theories, calling it “the uncanny valley” where your ability to relate to a robot or cartoon character suddenly plunges as it gets closer to humanity. So Mickey Mouse is our buddy but final fantasies give us the willies. (more…)
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