In 1970, a couple years before he was SLAUGHTER and BLACK GUNN, Jim Brown was the manly hero of the western EL CONDOR. He plays Luke, who’s introduced chained up in a prison labor camp. But the Union army has a mission that could use his special set of skills, so they make him an offer he can’t refuse: if he’ll sneak in and blow up a train for them, they’ll give him his amnesty papers.
Just kidding, he can refuse! He’s already been through that whole suicide mission thing before in THE DIRTY DOZEN. This time he breaks his chains, shoves the papers in the captain’s mouth and escapes. This is one badass reversal of expectations I’m gonna assume belongs to Larry Cohen (RETURN OF THE MAGNIFICENT SEVEN), who’s credited as screenwriter along with Steven Carabatsos (TENTACLES, HOT PURSUIT). Luke is a Han Solo who stays selfish. Instead of fucking around with war shit and learning a greater cause, he goes on his own mission to try to get Emperor Maximilian’s gold that, according to legend, is in the El Condor fortress, protected by the strongman Chavez (Patrick O’Neal, SILENT NIGHT BLOODY NIGHT, THE STUFF, UNDER SIEGE). (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.