This year THE HOST and SNOWPIERCER director Bong Joon-ho made a truly one-of-a-kind movie. OKJA is a sweet girl-and-her-creature tale like MY NEIGHBOR TOTORO after it has been swallowed by a vicious satire of corporate greed and man’s treatment of animals. It’s produced by Netflix with an international cast, many of them speaking English, but its wild shifts in tone make it feel safely within the tradition of South Korean cinema.
It already seems bug-nuts from the opening, when aggressively-faux-enlightened Mirando Corporation CEO Lucy Mirando (Tilda Swinton, CONSTANTINE) gives her colorful presentation about the “discovery” of the allegedly miraculously eco-friendly “superpig” species and their plan to give them to farmers in 26 cities around the world to raise for ten years using their local traditions and then to crown one as the best.
The decade passes, and young Mija (Ahn Seo-Hyun, the daughter in THE YELLOW SEA) lives an idyllic life in some mountains in Korea helping her grandfather (Byun Hee-bong, MEMORIES OF MURDER) take care of their superpig Okja. She’s bigger than a hippo – looks like a giant Eeyore – but limber enough to leap around like Ang Lee’s Hulk. Mija plays with her and rolls around on top of her belly and climbs inside her mouth to brush her teeth for her. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.