Harry has an interview with Robert Rodriguez about MACHETE and some swordfighting cartoon he’s gonna remake in his greenscreen warehouse. Of course my favorite part is this comment about Seagal in MACHETE:
“Seagal was so awesome we kept expanding his role on the set. The big final battle is Machete vs. Seagal and it’s amazing.”
I was hoping this would be the case. The script I read had Seagal’s character only in two scenes, but they were crucial ones. I’m also happy to hear Rodriguez refer to the character as a “Mexican drug lord.” I knew he’d take advantage of Seagal’s talent for rolling his Rs (see, for example, how he pronounces “Geraldo” in HARD TO KILL).
The interview also makes vague reference to controversy over the trailer’s glorification of illegal immigrants. I don’t know if any media people have really tried to make an issue out of it, but it’s funny if they have because I requested that in my script review over a year ago, saying, “By the way, Machete is portrayed as a mythical protector of illegal immigrants. I hope somebody on Fox News gets riled up about that. This whole thing where we laugh every time they say ‘teabagging’ can’t last forever, they’re gonna need some new material.”
More good Rodriguez news: I forget where, but somewhere I just read an interview that said there was only one greenscreen shot in PREDATORS.

The new Steven Seagal picture comes out in the States today. I couldn’t wait so I already imported the UK version. I like the design of the American cover a little better, but I don’t regret a thing because the UK one has the all important “Steven Seagal is” before the title, something that’s been sorely lacking from Seagal movies lately, not to mention from movies in general.
(sorry guys – playing catchup on reviewing the last three episodes before tonight’s new one)
To Live or Die
Note: I’m numbering these by the order the air, although the official numbering is totally different on their websight.
For 20 years we have known the legend of Steven Seagal. He was the aikido teacher, the white man who ran a dojo in Japan and later impressed people in Hollywood so much they made him a movie star. He wrote and produced many of his movies, directed one of them, created a unique persona. He got more and more into Buddhism and Zen, sometimes working them into his movies, eventually being declared by somebody as a reincarnated Tulku.
Seagal’s new reality cop show begins on 

















