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Posts Tagged ‘Tomisaburo Wakayama’

Lone Wolf and Cub: White Heaven in Hell

Wednesday, January 10th, 2024

LONE WOLF AND CUB: WHITE HEAVEN IN HELL is the final film in the LONE WOLF AND CUB series – six films released between 1972 and 1974. It has the same writer of the previous one, Tusutomu Nakamura, but a director who’s new to the series, Yoshiyuki Kuroda (THE GREAT YOKAI WAR).

This is a good one to watch in winter because, as poetically described in the title, a bunch of it takes place in the snow. It opens with our deadly assassin papa and child, Ogami Itto (Tomisaburo Wakayama) and Daigoro (Akihiro Tomikawa), skiing their weapon-filled babycart down a mountain. Must be a tall one because time passes, the sky turns dark, Ogami’s carrying a torch. Then the screen turns completely white and you see their silhouettes slowly become visible in the distance, like the opening of FARGO. And come to think of it I’m surprised this babycart doesn’t have a built in woodchipper. It has just about everything else you could need. Maybe it does and we just don’t see him use it. (read the rest of this shit…)

Lone Wolf and Cub: Babycart in the Land of Demons

Tuesday, June 27th, 2023

As a serial discusser of movies, I often run into this thing where I find that other people put a way higher premium than I do on things being logical, or realistic, or believable. They complain about characters making a bad choice or a strange choice or not doing the obvious choice. They seem to think it’s better for characters and stories to be normal, or sane.

Yeah, sometimes, occasionally, maybe, in moderation. Sure. But there are also times when it’s an intentional artistic approach, and clearly a great one, to depict the way the world works, and the way humans behave, in a heightened manner. It can be way more interesting for characters to be extreme, to act unreasonably. It can even be more true to show life how it feels, instead of how it actually is. Or it can just be way more fun to show life how it’s not.

Case in point: LONE WOLF AND CUB: BABY CART IN THE LAND OF DEMONS (1973), the fifth of the six LONE WOLF AND CUB movies. As always it’s a story about traveling assassin Ogami Itto (Tomisaburo Wakayama, THE BAD NEWS BEARS GO TO JAPAN), a.k.a. Lone Wolf and Cub, being hired to kill someone. Usually people hire him by leaving money at a shrine. This time there’s a much more complicated method. A guy gets his attention by walking around wearing a veil with ox-head and stallion-head demons painted on it. When Ogami asks him about it the guy pulls out a sword and quickly loses a duel to him. (read the rest of this shit…)

Lone Wolf and Cub: Baby Cart in Peril

Monday, May 4th, 2020

LONE WOLF AND CUB: BABY CART IN PERIL is #4 out of six LONE WOLF AND CUB films, and comes pretty directly out of the stories from the late Kazuo Koike’s manga about the former Shogun’s-executioner who was framed by the god damn Yagyu Clan (fuck those guys) and now travels Japan with his young son Daigoro, working as a freelance assassin along his “Demon’s Path” toward vengeance and damnation. He usually ends up doing something very honorable that seems a little more like redemption, but he doesn’t see it that way. He thinks he’s the devil. This was before heavy metal, too.

This one’s kinda got an A and B plot. One of them (take your pick which letter it is) involves the badass Oyuki (Michi Azuma, who played a different character in BABY CART AT THE RIVER STYX – they should do that in more American movie series), a former “sword mistress” gone rogue so she can avenge her former mentor for raping her. One of her trademarks is to cut off the top knots of all the motherfuckers who come after her, which in their culture seems to be even more humiliating than when Brutus “The Barber” Beefcake used to badly shave the heads of those he defeated in the ring. (read the rest of this shit…)

Lone Wolf and Cub: Baby Cart to Hades

Wednesday, November 30th, 2016

tn_babycarttohadesWhen you’re the shogun’s executioner and your wife is murdered and you’re set up and your life is ruined and you choose to take your son on the demon’s path and become an elite assassin for hire, you do alot of wandering around having adventures. Part 3 of the LONE WOLF AND CUB series (or, if you prefer it dubbed and edited to be dumber, part 2 of the SHOGUN ASSASSIN series) is episodic in a good way. They cross a couple different enemies, get offered a couple different gigs, get into some shit with the Yagyu Clan, and their nemesis Retsudo is mentioned but not seen, like The Emperor in STAR WARS.

On their travels, Ogami Itto (Tomisaburo Wakayama) and son Daigoro (Akihiro Tomikawa) are jumped by a bunch of ninjas, so he kills them. (SPOILER)

Along a road there are some watari-kachi, mercenaries, drifters who go around trying to get gigs, often just “hired for show when someone needs more men in their procession” because the kind of lords they work for can’t afford to hire them full time. (see also: film critics) They’re sitting around with Master Kanbei (Go Kato, SWORD OF THE BEAST), who they consider uptight, so they try to take him down a notch. “You’re really peculiar. You don’t drink, you don’t touch women.” They don’t get him because they figure the only reason it’s worth having their job is to “have fun,” which we quickly realize means to rape women along the highway.

Master Kanbei chooses not to participate when these pricks run off to attack a passing mother and daughter, knocking out their male servant. But he doesn’t stop them either – not until he hears them brag about who they’re all working for. Then Kanbei intervenes in a very calm, business-like manner: he kills the servant, then the two victims, then makes the three mercenaries draw straws so that one can be killed and blamed for the murders. (read the rest of this shit…)

The Loose Canon: LONE WOLF AND CUB: SWORD OF VENGEANCE & BABYCART AT THE RIVER STYX vs. SHOGUN ASSASSIN

Wednesday, July 25th, 2012

Every now and then I write a more-in-depth-than-usual study of a movie I consider important and influential in the evolution of Badass Cinema, a movie I believe most fans of the genre would love and all should see and have an opinion on. I call this series THE LOOSE CANON.

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In 1980, a violent samurai movie called SHOGUN ASSASSIN hit American shores. It is the story of Lone Wolf, an assassin trying to avenge the murder of his wife by the Shogun he used to work for. He travels Japan by foot pushing a babycart that  carries a number of weapons and his son Daigoro – who also narrates the movie – and eventually kills the Shogun’s brother. With its weird tone and garish violence, and coming right at the beginning of the decade when Americans became obsessed with Japanese traditions like karate and ninjas, the movie took on a legendary status in pop culture that lasts to this day. Its dialogue and primitive synthesizer score were heavily sampled on the seminal 1995 hip hop album Liquid Swords by GZA, and also heard in KILL BILL VOLUME 2 as little Bebe’s chosen bed time movie.

The one problem with SHOGUN ASSASSIN: it’s an insultingly dumbed down bastardization of two excellent 1972 Japanese films, LONE WOLF AND CUB: SWORD OF VENGEANCE and LONE WOLF AND CUB: BABYCART AT THE RIVER STYX (the first two installments in a six movie series). (read the rest of this shit…)