
TRANCERS II: THE RETURN OF JACK DETH is a DTV sequel that came out in 1991, six years after the original TRANCERS, and four years after the at-that-time-unreleased anthology short TRANCERS: CITY OF LOST ANGELS. The cop from the future was now starting to be a relic of the past, like he’d always dreamed.
A new screenwriter, Jackson Barr (BODY CHEMISTRY, SUBSPECIES, ROBOT WARS, MANDROID) joins director Charles Band (PARASITE), but otherwise everybody is back. Tim Thomerson (between an episode of The Flash and an episode of Baywatch) is Jack Deth, the time traveling future cop now well established as an old-timey private eye in 1991 Los Angeles. Despite the subtitle he’s not returning from anywhere, he’s just sticking around in the same place. (And he beat BATMAN RETURNS to it by a year.) He’s married to Lena (Helen Hunt, a year before starting Mad About You) and they live in a mansion with Hap Ashby (Biff Manard, DESERT KICKBOXER), the former MLB player they saved from homelessness. In the intervening years Hap “made a pile of money” on “commodities speculation” and now collects firetrucks (?!).
The biggest tension in Jack and Lena’s relationship is that Lena wants them to buy their own house to settle down and have a kid in. Gone are her punk rock days. She wears bland ‘90s jeans and has regular-colored hair. She looks like Helen Hunt, actually. (read the rest of this shit…)


April 29, 1994
“We found him. We can do whatever we want with him.”
He had been in a few movies, including 18 AGAIN! and PHANTOM OF THE MALL: ERIC’S REVENGE, but his big break was in 1989 when he became an MTV VJ, in character. A year later they gave him his own very popular show called Totally Pauly. When ENCINO MAN was in development at Disney, the head of Hollywood Records got Jeffrey Katzenberg to watch Totally Pauly and then put Shore in the movie. He didn’t want to play the caveman, so the filmmakers worked with him to rewrite the protagonist’s best friend character to be a weird guy who says “nugs” and “weez” and stuff in such a way that it’s clear that it must be funny. 

















