"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Megan Ward’

Trancers II: The Return of Jack Deth

Tuesday, March 3rd, 2026

TRANCERS II: THE RETURN OF JACK DETH is a DTV sequel that came out in 1991, six years after the original TRANCERS, and four years after the at-that-time-unreleased anthology short TRANCERS: CITY OF LOST ANGELS. The cop from the future was now starting to be a relic of the past, like he’d always dreamed.

A new screenwriter, Jackson Barr (BODY CHEMISTRY, SUBSPECIES, ROBOT WARS, MANDROID) joins director Charles Band (PARASITE), but otherwise everybody is back. Tim Thomerson (between an episode of The Flash and an episode of Baywatch) is Jack Deth, the time traveling future cop now well established as an old-timey private eye in 1991 Los Angeles. Despite the subtitle he’s not returning from anywhere, he’s just sticking around in the same place. (And he beat BATMAN RETURNS to it by a year.) He’s married to Lena (Helen Hunt, a year before starting Mad About You) and they live in a mansion with Hap Ashby (Biff Manard, DESERT KICKBOXER), the former MLB player they saved from homelessness. In the intervening years Hap “made a pile of money” on “commodities speculation” and now collects firetrucks (?!).

The biggest tension in Jack and Lena’s relationship is that Lena wants them to buy their own house to settle down and have a kid in. Gone are her punk rock days. She wears bland ‘90s jeans and has regular-colored hair. She looks like Helen Hunt, actually. (read the rest of this shit…)

PCU

Monday, May 6th, 2024

April 29, 1994

PCU fits nicely into my theory of the summer of ’94 – that it was a time when boomers were looking back while gen-xers were moving in – by sort of melding those two things. The first sound you hear in it is Mike Bloomfield at the Monterey Pop Festival saying something about “this is our generation, man,” and then a song sampling Jimi Hendrix’s voice over modern dance music. It seems to be saying “Look, this is like the ‘60s, only it’s the ’90s!,” and in fact comes from an album called if ’60s were ‘90s.

This is the directorial debut of DIE HARD’s Harry Ellis himself, Hart Bochner, but it’s written by two fresh-out-of-college twentysomethings, Adam Leff & Zak Penn. It’s probly meant to speak to young people, but its attitude is that almost all young people are brain dead idiots… all but a few wild and crazy guys brave enough to scoff at everyone else’s beliefs because they don’t personally care about that kind of stuff so people who do must be faking it.

All fraternity comedies are pretty much based on ANIMAL HOUSE, right? A canonical boomer classic. PCU follows the standard campus comedy storyline: a rowdy fraternity hated by the authorities is going to get kicked out of their building if they don’t raise a bunch of money fast, so they throw a big party. And the modern spin on it is yeah, you have your old idea of fraternities, but it’s different now, it’s harder to get away with that stuff. But we do what we can, on account of we are outrageous party animals like you wouldn’t believe. ’90s style! I have a Hammerbox poster in my dorm room, to name only one example. (read the rest of this shit…)

Encino Man

Wednesday, June 15th, 2022

“We found him. We can do whatever we want with him.”


ENCINO MAN is I guess a landmark in 1990s American cinema because it introduced “the Pauly Shore movie.” Then in his mid-twenties, Shore was the son of The Comedy Store owners Sammy and Mitzi Shore, so he had started doing standup and hanging out with Sam Kinison as a teenager, developing his surfer dude/stoner/Valley Boy persona “The Weasel” – one of those characters who has a certain way of talking and catalog of slang and catch phrases that seem to be beloved by somebody somewhere, but to those of us who came in late it’s unclear whether you had to be there to get it or if there even was a joke in the first place.

He had been in a few movies, including 18 AGAIN! and PHANTOM OF THE MALL: ERIC’S REVENGE, but his big break was in 1989 when he became an MTV VJ, in character. A year later they gave him his own very popular show called Totally Pauly. When ENCINO MAN was in development at Disney, the head of Hollywood Records got Jeffrey Katzenberg to watch Totally Pauly and then put Shore in the movie. He didn’t want to play the caveman, so the filmmakers worked with him to rewrite the protagonist’s best friend character to be a weird guy who says “nugs” and “weez” and stuff in such a way that it’s clear that it must be funny. (read the rest of this shit…)