“My dad died fighting Nazis in Germany, but he died fightin the wrong ones, huh?”
THE FINAL COMEDOWN is a 1972 drama starring Billy Dee Williams as an angry young militant who leads some sort of small uprising. It has been categorized as blaxploitation, and that makes sense – it’s a low budget movie with a funky soundtrack, and a sex scene (maybe to please producer Roger Corman), and it co-stars that bad D’Urville Martin (director of DOLEMITE, played by Wesley Snipes in DOLEMITE IS MY NAME) and Raymond St. Jacques right after COOL BREEZE. But despite having many bullets fired and quite a few falling-off-a-building stunts, it’s not exactly an action movie or empowerment fantasy. It’s a very earnest issue movie, with the unvarnished rage and radicalism of THE SPOOK WHO SAT BY THE DOOR, plus an editing style and non-linear storytelling that seems more in the arty vein of stuff like SWEET SWEETBACK and TOP OF THE HEAP than all the ones that were trying to cash in on the success of SHAFT and SUPER FLY. (read the rest of this shit…)
