"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘JCVD’

Lionheart

Sunday, December 7th, 2008

LIONHEART is Van Damme circa 1991, and his best up to that point if you ask me, which by reading this you agree to do. As a matter of personal taste I think competitive fighting is one of the squarest action subgenres. You got less room for chase scenes and explosions, the rules and locales of the fights are too rigid. I mean nothing against a good pre-fight jitters locker room scene or a spooky ancient temple with torches and mystical snake statues, but I prefer a more urban style of action movie. One with crooks and creeps, alleys, fire escapes, car windshields.

LIONHEART is a smart compromise because it continues the competitive fighting of BLOODSPORT and KICKBOXER but in a cartoonish underground fighting circuit in New York and Los Angeles. This is another subgenre that gets old fast, usually because you get sick of looking at the same dimly lit arena with a fence or barbwire, maybe a strobelight. This one avoids that pitfall by having a new location and crowd for each fight: a circle of cars (with people rollerskating around), a swimming pool with all but the deep end drained (crowd in bikinis like it’s a pool party), inside somebody’s mansion (a black tie event) and (my favorite) a racquetball court. Brian Thompson is there but never fights. The real villain is Cynthia (could’ve sworn the credits just called her “The Lady,” but maybe I imagined that) the stereotypical L.A. rich bitch of the ’80s: short hair, expensive clothes, sexually and capitalistically aggressive. (read the rest of this shit…)

Kickboxer

Monday, December 1st, 2008

KICKBOXER is a much better version of BLOODSPORT. It’s another late ’80s/Cannon Films/Jean-Claude Van Damme/Belgian-American competing in dangerous Asian fighting competition movie. This one starts with Van Damme as Kurt Sloan, goofy kid brother sidekick to United States Kickboxing Champion of the World Eric “The Eliminator” Sloan, whose hair and mustache might have influenced Danny McBride’s look in THE FOOT FIST WAY, I’m guessing.

The Eliminator is the best… in the United States. But he’s arrogant and ignorant. When asked by a reporter about kickboxing’s origins in Thailand he asks Kurt to book him a flight to Taiwan (Kurt has to correct him and bring him to Bangkok). The Eliminator thinks taking on the Thai champion will be a piece of cake, or a bowl of sticky rice or whatever. But Kurt knows it’s trouble as soon as he sees the opponent, Tong Po. This guy is a crazy-eyed maniac with a braided ponytail down to his ass who practices by kicking a column in his dressing room, cracking it. (read the rest of this shit…)

Vern Throws A Kick At JCVD!!

Wednesday, November 26th, 2008

Hey, everyone. ”Moriarty” here.

By now, you most likely know what this is, and wheter or not you’re interested in it. I’m thrilled Vern got a chance to check it out, though, and if there’s any review of it I’ve been waiting to read, it’s this one.

This is one of those things that almost seems too good to really exist. Did a talented French director really convince Jean-Claude Van Damme to play himself in an arty hostage thriller, giving him his best production values in years, one of his best movies, and definitely the best acting performance and most personal artistic expression of his career (so far)? Okay, I can believe somebody would come up with the idea, I can sort of believe Van Damme would be interested, but it’s hard to believe that they really found the money, really made it, really executed it this good. 2008, I love you. (read the rest of this shit…)

Bloodsport

Wednesday, November 26th, 2008

Okay, now that J.C.V.D. has polished Van Damme’s plaque in the action hero hall of fame I can’t keep running from the inevitable, it’s time to go back and watch those early Van Damme pictures I’ve always ignored. I’ve already seen NO RETREAT, NO SURRENDER, his first major role, so I’ll start with BLOODSPORT, his first starring vehicle.

BLOODSPORT is from Cannon, and it’s very much in the vein (get it, vein, BLOODSPORT) as other Cannon chopsocky pictures like AMERICAN NINJA and ENTER THE NINJA, or other ’80s chopsocky movies like THE PERFECT WEAPON. These are stories of goofy white dudes mentored by Asians to take on ancient traditions and become great warriors. They lack charisma, presence and acting ability but are good at martial arts (or at faking them in the case of Michael Dudikoff). (read the rest of this shit…)

The Shepherd: Border Patrol

Wednesday, April 2nd, 2008

I don’t know if Sylvester Stallone forced them to step up their game, or if they all got together and had a meeting and decided to start putting more effort into this shit or what but lately all the old ’80s and ’90s action stars who are in exile on the small screen have started doing a better job. Seagal’s had a couple good ones in a row, Dolph’s have been watchable, Van Damme had that movie where he was a heroin junkie. None of these are yet matching the full potential of DTV, but at least they’re getting there. The latest in the trend is Van Damme’s double-titled THE SHEPHERD: BORDER PATROL.

I will go ahead and give the credit for this one not to Van Damme but to the director Isaac Florentine. I will have to investigate the guy’s works further but if he has anymore as good as this one and UNDISPUTED II then I think he must be one of the top DTV directors. He’s an Israeli martial artist who came to the U.S. and directed POWER RANGERS shows for years and then got into DTV movies like US SEALS II. And as far as the DTV directors go he has a real good style. His movies have hard-hitting martial arts scenes that are well staged, he uses some energetic but not hyperactive editing and camera angles to keep things moving and he has some odd touches here that suggest a sense of humor. (read the rest of this shit…)

Vern Wants You To Check Out The Trailer With J.C.V.D. Starring In JCVD!!

Tuesday, March 11th, 2008

jeanclaudeHey, everyone. ”Moriarty” here. When confronted with an argument as well-mounted as Vern’s in this piece, one has little choice but to capitulate to whatever it is the person wants. Vern, I will watch this trailer. Now stop giving me those sad puppy dog eyes…

It’s hard for any actor to burn bright for their whole career. Most actors get old, washed up, maybe fat, they lose their sex appeal or they become too associated with a particular role or time period for mass audiences to take them seriously. Once they’ve hit that stage it’s only the very lucky ones that find a role that can change all that, reinvigorate their careers, make us see them in a new light and remember what we used to like so much about them. There was John Travolta in PULP FICTION. Josh Brolin in NO COUNTRY FOR OLD MEN. Some of us might have thought Sylvester Stallone did that in ROCKY BALBOA or RAMBO. But what if you’re not exactly the greatest actor in the world, and are best known for kicking, doing the splits, and not wearing pants? For you, Jean-Claude Van Damme, it might be even harder. But I wish you luck. (read the rest of this shit…)

Until Death

Wednesday, February 20th, 2008

It’s always exciting to hear that a Van Damme or a Dolph or a Seagal is taking a risk, so here’s an exciting one. Jean-Claude Van Damme plays a heroin addicted, womanizing, fucked up cop. (He’s not totally dirty though, he won’t take bribes.) Most of the other cops kind of hate him, especially the guy who blames him for the death of his fiancee in an undercover operation. Van Damme’s wife is pregnant from her new man. And his former partner (Stephen Rea, believe it or not) is the crime kingpin he just can’t seem to bust.

Eventually Van Damme gets shot in the head and goes into a coma. When he wakes up he’s sort of born again and tries to make amends. He gives his settlement to a schlub he got kicked off the force. He stops shooting heroin. His wife is taking care of him while he recovers and they start to repair their relationship. If you haven’t figured it out yet this is a genuine drama, not an action movie. He doesn’t do the splits once. (read the rest of this shit…)

Desert Heat

Thursday, March 23rd, 2006

DESERT HEAT aka COYOTE MOON or INFERNO

When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.) (read the rest of this shit…)

Vern gives a Van Damme in SECOND IN COMMAND!!!

Monday, March 13th, 2006

Hey folks, Harry here with another great review from Vern. Like Vern, I too have seen Dolph Lundgren’s directorial debut… who wouldn’t? Fucking He-Man/Ivan Drago’s directorial debut!!! And actually – while funky as fuck and some silly ass kidnapped drug whores in Russian brothels… I dug the sheer joy of bloodletting he let loose. Here’s Vern with Van Damme’s latest…

Boys –

Most people around here know by now that I’m partial to the Steven Seagal pictures. And with The Steven Seagal Blues Band (who I think oughta be called “Steven Seagal and the Hard to Kill”) coming to Seattle in a couple months I probaly oughta be putting my Seagalogy studies into overdrive to prepare. But my New Year’s resolution for 2006 is STRIVING FOR EXCELLENCE, and I intend to strive all year long. So I’m not gonna stick with what I know, I’m gonna start trying out new things, becoming a more well rounded individual. With that in mind I recently watched Dolph Lundgren’s directorial debut (Read it here!) as well as Jean-Claude Van Damme’s upcoming May 2nd release SECOND IN COMMAND. (read the rest of this shit…)

Sudden Death

Wednesday, January 1st, 2003

There are about three kinds of Jean-Claude Van Damme pictures in my opinion. There are the real experimental, artsy type like Double Team and Knock Off (the best kind), the real cheap and crappy ones like Cyborg and Double Impact (the worst kind), and the more expensive ones where he’s trying to become a more respectable mainstream action star (the kind that Sudden Death is).

I have a hard time reviewing this picture since it is an unofficial sequel to Die Hard. For those of you who don’t know I am a HUGE fan of the Die Hard pictures (starring Bruce Willis, look it up if you haven’t seen it) because, as a fan do I want to support this as part of the die hard mythos or should I not support it since it is unofficial, it is hard to say. (read the rest of this shit…)