URBAN VENGEANCE, not be confused with Seagal’s URBAN JUSTICE, is a D.I.Y. skateboard action movie I stumbled across on Tubi. The art looked old but the release year was listed as 2024, and I got curious. Sometimes these things you gotta watch for a bit to get an idea if they’re even gonna be watchable at all, but this one I knew pretty immediately I would keep watching because the hero, Jack Urban (Will Martin), is riding his skateboard through an L.A. River type cement ditch called “Skate River” when a guy wheelies in on a motorcycle firing an uzi at him. Jack ducks under a low tunnel, the motorcycle somehow explodes into a fireball behind him, there’s a distorted guitar strum, Jack turns to grimly survey the damage and then skates off into the title sequence powered by retro synth arpeggios (score by Derlis A. González). Off to a great start.
Jack is supposed to be a teenager, and Martin looks like he could actually be one, but he’s also the writer and director of the film. On his websight he calls the movie “an homage to cheesy skateboarding dramas of the ‘80s such as GLEAMING THE CUBE and THRASHIN’,” but thankfully there is no winking or parodying. It comes across as a serious attempt at a CLASS OF 1984 world-gone-insane youth movie, with a sprinkling of DEADBEAT AT DAWN rawness.
Holy shit you guys, I never really thought I’d see EGGSHELLS! It’s the weird psychedelic movie Tobe Hooper made in 1969 – five years before 
“Come on Carmen, what do you want from me? I’m just trying to do my job protecting a federal witness from being chased by a bunch of assholes who shoot at us every time I turn around!”
During my recent two-week TEXAS CHAINSAW binge I learned of the existence of this movie I’d never heard of before. It was written by Kim Henkel (co-writer of the original 
