SPOILER ALERT !!
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
I had a chance to see the film myself this week, and I thought it was low-key fun. I think it makes a lot of first-time-filmmaker mistakes (Ryan Schifrin never met a close-up he didn’t like, for example), but every time the film strikes a false note, it also manages to do something very right. In the end, I don’t want to act like a Grinch when we’re talking about a Bigfoot movie, and I’m willing to bet this is a great movie to see with a group of friends. I saw it alone, and this one almost demands group participation. But enough about my reaction… here’s the one and only Vern, who will be back a little later this morning with another review, as well:
Ladies and gentlemen of the internet,
The other day Harry recommended this tiny little bigfoot movie called ABOMINABLE, directed by the son of legendary film composer Lalo Schifrin. Alot of people probaly thought Harry was full of shit since they’ve never heard of this movie and it’s not playing anywhere except one screen of one theater in Seattle and, according to legend, at Harry’s house. I mean if such a movie really exists, how the hell has it gone on so long without once being spotted by a credible witness? Why is it always some crazy redhead in a Tigger costume from Texas? (read the rest of this shit…)
SPOILER ALERT !!
Last week I reviewed this movie THE ICE HARVEST which I thought was only okay. And I think I blamed director Harold Ramis, who I accused of mediocrity. Then the other day, through coincidence or karma or something, I ended up watching GROUNDHOG DAY, which is the Bill Murray movie Ramis directed back in 1993.
BRICK sounds like a good name for a blaxploitation movie about a dude named Brick, but that’s not what it is. It’s actually a detective movie starring all teenagers. There are only two grown ups in the whole movie, and one of them, incidentally, is Shaft.
SPOILER ALERT !!
That’s right, the god damn GODFATHER. I mean, what is there even left to say about THE GODFATHER? Well, I’ll tell you.
I was excited about this at one point, but I missed it when it was in theaters. I thought it was a diamond heist movie starring Billy Bob Thornton, but it turns out Billy Bob is the co-star and there are no diamonds. The ice in the title is literal, because it’s winter. Christmas Eve, to be exact. There’s not snow though, just frozen rain, which is not something you see in Christmas movies very often, and rings true to me since here we’re lucky to even see that. (I don’t know about Kansas.)
There are three very clever sequences in this movie. First, it opens with narration over a starfield, and then pans over to show Mars. Suddenly the familiar UNIVERSAL logo letters spin around Mars. So it’s just like the usual studio logo except the red planet instead of the globe. Then the letters go off screen and the camera zooms into Mars and into a space colony where the movie takes place. It’s like there’s not even time to bother with a studio logo, our only option is to work it into the plot. That is how urgent it is to get to the motherfucking DOOM.
Ahoy, squirts! Quint here with our main man Vern who has seen SLITHER and wants to tell you about it. Give him your ear… uh… I mean, give him your eye. Enjoy!
A while back I reviewed this sci-fi action movie called EQUILIBRIUM and I complained about the cliche of using techno music in all the action scenes. I asked why somebody didn’t try out some different styles of music on some action scenes. A while later a guy named Jonathan Lee wrote to inform me of a movie called MEAN GUNS where they did just that, they used mambo music during all the action (and other parts of the movie).
