and the rise of the American Furious Movement
TORQUE is the most spectacularly ridiculous movie I’ve seen in a while, making even 2 FAST, 2 FURIOUS seem pretty reasonable and down to earth. The movie opens with a shot of a tortoise standing between two street race cars at a starting line. The cars take off down a dusty road at impossible speeds. Suddenly, reflected in one car’s rear-view mirror, is some dude on a motorcycle. He has a hard time passing the cars but once he does he does a big wheelie and leaves them in the dust. A street sign spins uncontrollably in the wake of the motorcycle creating the illusion that it says “CARS SUCK.” And from there we cut to the opening credits.
You hear that, FAST AND THE FURIOUS? The gauntlet has been thrown down. Cars suck, motorcycles rule. Or own. Or whatever it’s called now. In case FAST AND THE FURIOUS came into the movie late though, because it was out in the lobby text messaging somebody, there is a part later on where the hero says, “I live life a quarter mile at a time,” and his girlfriend says, “That’s the stupidest thing I’ve ever heard.” These movies may start some kind of deadly motorcycles vs. cars feud, but they’re both from the same producer, Neal H. Moritz. (read the rest of this shit…)
Every once in a while I’ll get in a gentlemanly argument with a motherfucker about whether Michael Bay single-handedly ruined the future of action cinema forever, or whether he’s just an asshole. And invariably a Bay-defender will claim that although his movies are not fun to watch and you don’t know what’s going on while you watch them, Michael Bay “blows things up real good.” I think the idea is supposed to be that Regular Folk like to watch a big fiery explosion with no brains involved and if you got a problem with that you must be some kind of snob.
Two years ago, I saw and accidentally enjoyed the 2004 movie 
This is part 2 of the Underworld saga and unfortunately I’m less sold on this Len Wiseman individual after part 2. I gotta admit, I had hopes for this one. From the trailers it looked more exciting than the first one. I thought maybe after a little practice and with a bigger budget this guy was gonna make a movie that was more fun. Now I’m not gonna say that Len Wiseman has destroyed my faith in the human spirit and man’s knack for overcoming obstacles with innovation and hardwork, but the guy was definitely trying to. We, as a people, can do better than this.
I recently saw and enjoyed THE FAST AND THE FURIOUS PRESENTS TOKYO DRIFT, part 3 in the FAST AND THE FURIOUS saga. And it reminded me that it was time I got around to seeing part 2. This one is closer to a straightup sequel. They couldn’t get Vin Diesel to return so instead they just follow Paul Walker’s character.
This is Sonny Chiba’s most famous movie, the one that made him an international star, and the one that Christian-Slater-as-Tarantino-stand-in went on about in TRUE ROMANCE. And as a vehicle to show how awesome Sonny Chiba is, it’s great. As a movie though I would argue that it’s not necessarily his best.
Well when you want a good sports movie you go to Monte Hellman, the fellow who also did the great racing movie Two Lane Black Top and Silent Night, Deadly Night 3. Now I know some of you from the title, you’re gonna say, “Oh, Vern’s reviewing a gay porno” but no, it’s about chickens.
According to this movie Superman has been in outer space for five years doing some research and now he’s returned. The concept is supposed to be that everything has changed, because Lois Lane is now engaged to the guy who plays Cyclops from X-Men and has a kid. The problem is though, nothing much else has changed. Sure, this is a whole new set of actors, a new director, and modern special effects. It’s been exactly (something) years since Superman part whatever the last one was, and its two lead actors, Richard Pryor and Christopher Reeve, have both passed away. Still, director Brian Singer goes out of his way to NOT reinvent the series. He wants this to be a sequel to the old ones so he got a guy who looks like Christopher Reeve, he uses the same theme song, he puts some goofy ’80s retro comedy in there and even did retro style opening credits. In the last Star Wars I heard an audience cheer for a hallway, in this one I heard an audience cheer for a font. Strange times we’re living in. 
This third picture in the FAST AND THE FURIOUS trilogy saga is pretty different and at first doesn’t even seem to be connected to the other ones. I never saw Academy Award nominee for best director John Singleton’s 2 FAST 2 FURIOUS, but I know Paul Walker returned and Vin Diesel didn’t. And I believe Tyrese showed up. This time around we lose everybody and start over with a new character played by Lucas Black (the kid from SLING BLADE who I last saw in a small role in JARHEAD).
As you know I’m not one for the cartoons but somehow I ended up seeing this new one called CARS. What CARS is about is cars. However they are not any ordinary type of car like you’ve ever seen before, they are living cars. And when I say that I am not even talking about a Knight Rider or Herbie the Love Bug type of scenario here, I am talking about an entire society devoid of human life, but dominated by living, feeling cars with weird eyeballs on their windshields. They can make gestures and they can use their tires sort of like hands, and they have jobs, etc. Even the insects of this world are cars, but there are regular non-car plants.
