I think I saw this movie back when it came out and I remember it just being ridiculous, but seeing it again I thought it was a good ridiculous. The movie begins with a melodramatic Hitchcock style credit sequence, but then cuts straight to Denzel Washington, Ice-T and Kevin Pollack playing very aggressive basketball on a playground. As far as I know this one is one of only a handful of movies in all of cinematic history that begin with those three guys playing street ball.
I like this scene because it very quickly sets up most of the major players in the movie while also establishing just why the movie is cool. For one thing, the director is Russell RAZORBACK Mulcahy, video director turned movie director who is fond of fancy hotshot camerawork. But this is 1991, still firmly in the naive days when a director followed a code of honor that they were expected to provide visual clues to the audience to understand what the fuck is going on. For some of you younger individuals it’s probaly hard to imagine, but the camera is flying around in such a way that it enhances your enjoyment of the movie, instead of pissing you off. This starts in the basketball scene with the camera somehow following right behind Denzel as he weaves through the other players and slam dunks. (read the rest of this shit…)
I am not a history buff. I am not highly educated. I don’t necessarily have what you would call “a curious mind” when it comes to history. And I don’t really dig on civil war movies. It all just seems like a bunch of dudes running around in muddy fields yelling and stabbing. But for some reason lately I caught a weird case of interest in that era. I don’t know man, I understand that slavery was a way of life for those people and they were raised to be racist, but I have a hard time wrapping my head around that whole concept. How can somebody be willing to die to take away somebody’s freedom? How can that be the thing you really believe in?
DELTA HEAT is a somewhat entertaining buddy movie from ’92. It’s kind of like RUSH HOUR but instead of Chris Tucker as a wiseass LA cop it’s Anthony Edwards as a wiseass LA cop, and instead of Jackie Chan as a Hong Kong inspector it’s Lance Henriksen as a crazy ex-cop New Orleans swamp rat. And instead of doing kung fu he has a hook hand (bitten by a gator, of course). Actually it’s kind of like RUSH HOUR 2 but instead of going to Hong Kong they go to New Orleans.
I got an email from Scott L. requesting a review of THE DARK KNIGHT, because he’s seen all these HYPERBOLIC!!!!!!!! reviews that have been springing up on all the websights and thought I might be a good outsider perspective to temper his expectations. I was happy to oblige because I liked the 
Well it looks like this week is Nerd Hanukkah, when everybody freaks out about the new Batman movie and then they go to San Diego and they seem to open presents every day. I’m not clear what exactly it is they do there but it apparently involves comic books and occasionally Halle Berry or Charlize Theron or somebody. There will be alot of exciting posters passed out or something and lots of exciting news will be broken about some movie or other. You’ll be hearing about your star treks and your hobbits and your Iron Man part 2s and what not. But there is one sequel that you won’t be hearing jack shit about there unless you are currently sitting there reading this article. Ladies and gentlemen, I am proud to announce that I got the exclusive inside scoop on a movie and the title alone is gonna knock your god damn socks off. Your socks are gonna tear right through your fuckin Captain America boots, fly across the room and land on a table where somebody from some Dr. Who spinoff is signing autographs.
SPOILER ALERT !!
Here’s a VHS only action piece from director William Lustig, who I got some respect for due to the sleazy horror movie MANIAC and the badass Robert Forster revenge thriller VIGILANTE. (whoah, I never realized how similar those two titles are.) This one is closer to VIGILANTE although it was a work-for-hire deal for Lustig and not his usual New York-based independent filmmaking.
By now you’ve heard of WALL-E. Lovable robot, etc.
A couple years ago Shane Black, the hot shot wunderkind enfant terrible wave of the future 22 year old millionaire kid who wrote 
I saw this movie years ago and like anybody I loved it. But watching it again recently I was surprised to find that it was better than I remembered. UNFORGIVEN is a GFM (Great Fucking Movie) for many different reasons, most of them you know, but I’ll try to point out a few of them.
