My friends, you may think I have been neglecting you. In the past month or two I have abandoned all my discipline and stopped doing the column weekly. I haven’t been reviewing all that many movies. I’ve been staying pretty much away from the computers of the internet except for Writing the occasional Ain’t It Cool News joke talk back message under the name “Darth Superman.”
The truth is I’m doing you a big fucking favor. I’m cutting down on my Writing. Focussing it. Putting my emphasis on what matters to me most, like honor, respect, and breaking a motherfuckers legs. I’m hoping less Writing = less crap, and therefore, better Writing. So you get to waste less time reading it, plus it’ll be better. That’s the theory, anyway. (read the rest of this shit…)
Let’s face it, only nerds watch cartoons.
In 1940 the Walt Disney animation company unleashed a bold new experiment, Fantasia, a collection of animated pieces inspired by classical music. Unlike say a Bambi or a Pinocchio this is a movie with no dialogue or traditional feature length narrative story. In a stunning display of craftsmanship and artistic achievement the animators listened to the music and created stories, sometimes retelling a fairy tale like The Sorceror’s apprentice or riffing on some goofball premise like dancing hippoes or mushrooms. At fantasia’s best moments it triumphs in bold flourishes, splashing abstract type shapes across the screen or depicting evolution and the rise and fall of the dinosaurs. My favorite is the night of the bald mountain king sequence in which a demonic demon comes out of the mountain and all the ghosts fly up, and then afterwards a whole bunch of people are marching along with candles I believe.
This is a movie where Ichabod from Sleepy Hollow teams up with a fat Mexican dude named Benicio Del Toro, and these two drive to Las Vegas on 700 different types of drugs to cover a motorcycle race for a magazine. I believe Bill Murray played this same Ichabod character back in the ’80s based on the real guy, Hunter S. Thompson who wrote the book.
