You know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did THE PUNISHER and I COME IN PEACE, then this, then SHOWDOWN IN LITTLE TOKYO and UNIVERSAL SOLDIER.
Well, turns out there’s a reason why you hear those ones mentioned occasionally and this one never. It’s not that memorable. But it has moments. I like moments.
It’s directed by Manny Coto (DR. GIGGLES, STAR KID) who is now mainly known as a writer and producer on 24. This was probly pretty good practice for that. Writer William Tannen is usually a director, he did HERO AND THE TERROR. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.