and the end of the world of action and horror movies
Well, shit. I been looking forward to this one for a long time. ROAD WARRIOR + ESCAPE FROM NEW YORK from the director of THE DESCENT? Yes please. I thought. And in the week since it came out I’ve gotten alot of emails about it and talked to several people who saw it and only 2 of them said they didn’t like it. Most weren’t willing to call it “good” but they did seem pretty delighted by it.
So hopefully most of you who see it will like it too, but Jee and Zuss. To me DOOMSDAY seems like my own personal doomsday, the end of the line for my two favorite genres.
DOOMSDAY is not a horror movie, but after DOG SOLDIERS and THE DESCENT Neil Marshall is a bigshot in the “Splat Pack” or whatever stupid name you want to call what passes for the best horror directors these days. I’ve had alot of discussions with other horror watchers about this crop and what worries me is that so much of modern horror – including the stuff I like – is looking backwards. You got Rob Zombie with his various ’70s homages, Eli Roth with his “grindhouse” and Italian horror and Takashi Miike references. I think Aja shows some promise, but his best movie is a faithful Wes Craven remake. Everybody complains about the avalanche of remakes but even among the well-reviewed movies you got some stuff that’s 100% tribute and references (HATCHET, BEHIND THE MASK). I get it, I like those old movies these directors like too. Let’s all high five each other and quote a couple lines but then let’s make some new movies, shall we? Where is the George Romero or the John Carpenter of today? It can’t be the fucking SAW guys, can it? (more…)

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