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Posts Tagged ‘Brian Henson’

Return to Oz

Monday, June 22nd, 2020

June 21, 1985

Forty-six years after MGM’s beloved Technicolor musical THE WIZARD OF OZ, Walt Disney Pictures produced their own journey through the world of L. Frank Baum. Though titled and framed like a sequel, writer/director Walter Murch and co-writer Dennis Gill (WALK THE LINE) treated it more as a literary adaptation, basing it mostly on book #3, Ozma of Oz, combined with some characters from #2, The Marvelous Land of Oz. In an article by Alan Jones in the July, 1985 issue of Cinefantastique (my most quoted source in this review series, you may have noticed), executive producer Gary Kurtz (THE DARK CRYSTAL) says they “pondered at great length” whether to even use the iconic ruby slippers, since in the books they were silver.

Like its predecessor, the not-really-sequel is full of whimsical characters and underpinned with fairy tale menace, but in most other ways it’s wildly different. The colors are subdued rather than vivid, the settings are grounded rather than stagey, it stars 10-year-old newcomer Fairuza Balk as Dorothy rather than a teen like Judy Garland, and she doesn’t sing, because it’s not a musical. While WIZARD’s costumes, jokes and dance numbers come out of the vaudeville tradition, RETURN creates its world and characters with the rapidly evolving cinematic puppetry, animation and visual FX technology of the Lucas/Spielberg era. Murch told Cinefantastique, “At first I was worried about using state-of-the-art animatronics, but so many of the OZ personnel are graduates of The Muppets, STAR WARS, and THE DARK CRYSTAL that I realized it would be pointless to worry.”

The result is a classic entry in the unique-to-the-‘80s subgenre of dark, imaginative, FX-heavy fantasy for children, preceded by THE DARK CRYSTAL and THE NEVERENDING STORY and followed by LABYRINTH. (read the rest of this shit…)

Labyrinth

Tuesday, December 29th, 2015

tn_labyrinthlucasminusstarwarsJennifer Connelly’s first movie was Sergio Leone’s ONCE UPON A TIME IN AMERICA (as the young version of Elizabeth McGovern’s character). Her first starring role was Dario Argento’s PHENOMENA, aka CREEPERS. Then she did some normal teen movie, but the one after that was LABYRINTH, directed by Jim Henson, where she’s co-starring with David Bowie and about a hundred different puppets. That’s a crazy career already, years before she got an Oscar.

This one is pretty different from the Argento one. Yes, she still communicates with bugs, because there’s a worm in one scene who gives her a helpful tip and invites her in to meet his wife. But there’s no monkey going nuts with a straight razor, and no Goblin. Just goblins.

She plays Sarah, a teenage girl who one day during a bratty fit about having to babysit says some fantasy nonsense that actually summons goblins to take away her toddler brother Toby. Whoops. To get him back she has to make it through a labyrinth to the Goblin King (Bowie)’s castle in 13 hours. Except for the king, the goblins and the inhabitants of the maze are all puppets and special effects creations. Designed by artist Brian Froud (like Henson’s previous movie, THE DARK CRYSTAL), they still have cartoonish looks and personalities, but with more realistic texture and detail than Muppets. They seem like closer relatives to Yoda than to Cookie Monster. (read the rest of this shit…)