In this new movie from Martin Scorsese (THE KING OF COMEDY), Scorsese’s young companion Leonardo Dicaprio plays an aviator. I was surprised to find that it was not just any aviator he was playing, it was actually Howard Hughes, the famous rich guy who peed in jars, wore kleenex boxes for shoes, etc. It turns out he not only grew his fingernails long and made a giant plane, he also was a movie director and producer. Which is probaly why Scorsese is interested in him.
After a brief origin story (explaining how a childhood incident led to his obsessive compulsive powers) the movie starts out with young rich boy Hughes, having inherited his parents’s drillbit company, making the world war one flying ace movie HELL’S ANGELS. He actually bought “the world’s largest private air force” and after years of disastrous (3 fatalities, 3 million dollars spent) shooting made a movie with the most spectacular aerial scenes ever produced (I guess. I haven’t really seen it. I am a phoney). THE AVIATOR gets alot of entertainment mileage out of portraying him as this crazy rich boy with a vision. Everybody thinks he’s nuts including his right hand man John C. Reilly. But he’s gonna spend his money how he wants to and he’s gonna make a god damn movie. This part of the movie I was thinking it reminded me a little bit of that movie where Johnny Depp plays Ed Wood. Then all the sudden Howard goes to ask a favor from Mr. Mayer of MGM… and it’s the same fuckin guy that Ed Wood tried to get a movie deal from! Same exact dude. Plus both movies have a score by Howard Shore. It’s like all the stars are lining up or something. There is no significance to it though in my opinion. Let’s get off of this tangent I guess.
Anyway there are some amazing digitally enhanced shots of DiCaprio flying through the air in a plane, holding a movie camera, waving his arms around to direct the swarms of dogfighters swooping all around him. It really makes Howard Hughes seem like a mad genius and then you start to wonder – how the fuck did the director of MEAN STREETS and RAGING BULL end up bowing at the altar of the godfather of the hulking, soul-less Hollywood spectacle? I know I know, independent maverick filmmaker, etc., but still the whole point of HELL’S ANGELES is its HUGENESS and the seeming impossibility of making a movie like that. It can’t be about the characters since they recast the lead after a couple years of filming. So why is Scorsese so fond of this? (more…)
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