Posts Tagged ‘Alice Braga’

Predators

Saturday, July 10th, 2010

tn_predatorsWell, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the two cheesy movies where the PREDATOR predators and the ALIEN aliens all got humiliated together fighting that pizza delivery boy at the pool party or whatever.

The movie begins with THE PIANIST himself, Adrien Brody, dropping from the sky. He just wakes up mid-air, hurtling toward an unknown jungle, no idea how he got here, and luckily finds that he has some kind of small parachute contraption attached to him. We’ve all been there, so it’s a real relatable way to start a movie. (more…)

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City of God and News From a Personal War

Wednesday, March 24th, 2010

tn_cityofgodSomehow I made it to the futuristic year of 2010 without ever seeing CITY OF GOD. I don’t know, just one of those things I never got around to, like skydiving or owning a house. But hey, the rest of the world: you were right! This is a good one.

You remember it: Crime in the slums of Rio De Janeiro, etc. The filmatism is frantic: alot of quick edits, handheld cameras, montages with lots of closeups, even some bullet time-esque rotating cameras. Occasionally it’s disorienting (especially since I’m trying to read the subtitles) but I think it’s closer to Scorsese energetic edits than, you know, that slapdash post Michael Bay shit we keep getting. And in contrast with many of that type it’s not slick or digital, it’s grungy and organic. It’s shot on location in the real favelas, with a cast mostly of real slum kids. So it looks like nothing you’ve seen before. (Except CITY OF GOD, since you all saw it a long time ago. Sorry, I’m catching up. Or SLUMDOG MILLIONAIRE, since they used pretty much the exact same approach, just in a different country.) (more…)

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Redbelt

Monday, May 19th, 2008

If you’ve seen anything by David Mamet then you know it’s kind of surprising (and awesome) that his new movie is about Brazilian jiu-jitsu. I even heard rumors that it was a straight ahead kickboxing movie like BLOODSPORT, and when the opening credits had Japanese drums like Christopher Lambert’s THE HUNTED I was about ready for the rebirth of action cinema. But this is really not an action movie. Anyone who goes in looking for that might be disappointed like the guy who wanted his money back when I saw GHOST DOG. Maybe not quite as much – there’s not alot of poetic shots of birds flying or long scenes of dudes driving around quietly contemplating. But this is not BEST OF THE BEST 2008, it’s definitely a David Mamet movie. Slowly unfolding plot that could go in any direction, narrative that respects the audience enough not to spell everything out for them, an intricate con, macho dialogue, magic tricks, Ricky Jay, Joe Mantegna, Mamet’s wife, songs by Mamet’s wife. I was hoping William H. Macey would show up as some retired kickboxing legend, but maybe next time.

The best thing about the movie is Chewetel Ejiofor. He plays Mike Terry, the instructor at a small, struggling jiu-jitsu academy, and a total fucking badass. He has some ties to bigshots in competitive mixed martial arts (or “karate potpouri” I believe they prefer to call it) but he doesn’t consider competition fights to be honorable, so he won’t do that even when he needs the money badly. It’s best to just let the plot fall into place, it’s not exactly high concept. But I will say that it involves some coincidence, a broken window, some lies, and some sleeper holds.

I don’t know how much training Ejiofor did. The fights are shot pretty close up, unfortunately. But the way he carries himself is very convincing. He’s still intelligent and sensitive like some of his other characters, but also he could kick your ass. I always like this guy when I see him but this is his best performance and character that I’ve seen. (more…)

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I Am Legend

Thursday, December 20th, 2007

Man, I’m a sucker for these QUIET EARTH type stories. You can’t help but think about what you would do in a situation like that, alone or with a couple other people, living in an abandoned city, everybody else either dead or disappeared. All of society’s leftover resources would be there for the plucking. Where would you take up residence? What would you drive? Would the rides at Disneyland still work? What sort of games would you play to amuse yourself? Backhoe Rampage? Skyscraper Free Throw? Condo Shitting? How would you deal with your loneliness? And would you bother to wear pants?

If there’s monsters involved, like in DAWN OF THE DEAD or any of the three movies based on Richard Matheson’s book I Am Legend, then it becomes more of a survivalist challenge, you start thinking about strategies. How to fortify your home, how to transport yourself around safely to scavenge, etc. In this case it’s vampires he’s dealing with so he can pretty much wander around and do what he wants during daylight (vampires have a sunlight related disability), but at nightfall it’s on.

To me that’s mainly what I Am Legend is about: living a life like that and the toll it takes on you mentally. To some people though the book is mainly about the ironic twist at the end that hasn’t been used in any of the movie adaptations. I’d love to see that too, if somebody could figure out how to translate the inner monologue realization from the book into movie form. But I’m not gonna get broken up about another re-interpretation of the story. I guess I’m not as much of a stickler for literal adaptations as alot of individuals. I think it’s more important for it just to be a good movie. For example, the remake of DAWN OF THE DEAD doesn’t have the substance of the original, has a different approach to zombies that I don’t like as much, doesn’t even spend all that much time in the mall that’s the main setting of the original. And yet I can’t complain too much because it still works, it is an effective action-horror movie on its own terms, I enjoyed watching it. So I guess I am more interested in faithfulness to the magic of cinema than to original source material. (more…)