"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Walton Goggins’

Predators

Saturday, July 10th, 2010

tn_predatorsWell, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the two cheesy movies where the PREDATOR predators and the ALIEN aliens all got humiliated together fighting that pizza delivery boy at the pool party or whatever.

The movie begins with THE PIANIST himself, Adrien Brody, dropping from the sky. He just wakes up mid-air, hurtling toward an unknown jungle, no idea how he got here, and luckily finds that he has some kind of small parachute contraption attached to him. We’ve all been there, so it’s a real relatable way to start a movie. (read the rest of this shit…)

Justified

Wednesday, March 17th, 2010

elmoreleonardshowsI know some of you were planning to watch that new FX show JUSTIFIED – what did you think? I thought it was a good first episode, taking advantage of that good side of Timothy Olyphant that we enjoyed in A PERFECT GETAWAY and other things, the opposite of the one that was in HITMAN. The pilot was adapted from an Elmore Leonard story that I haven’t read, and the moronic neo-nazi villains are definitely very Leonard. So we’ll have to see how much of that flavor they can retain with their original stories. But they’re definitely off to a good start with Olyphant’s character, a marshal who’s tougher and smarter than everyone around him, and who gets sent back to Kentucky after his Old West mentality causes trouble in Tampa.

Favorite conversation: when he tells the Jamaican priest about going to a Peter Tosh concert (he wasn’t into it). Favorite scene (easy): when he not only steals the neo-nazi’s shotgun and puts him back in his car, but suddenly bangs his head against the horn.

The pilot reminded me of KAREN SISCO, a surprisingly good Elmore Leonard based show they had on ABC in 2003. Sure enough both are by the same director, Michael Dinner (Mad Magazine’s hilarious parody character of DEATH WISH director Michael Winner). I thought they could never replace Jennifer Lopez as that character from OUT OF SIGHT (still my favorite Leonard movie I think, although JACKIE BROWN is a contender), but after watching a few episodes Carla Gugino became the definitive Karen Sisco for me. It helped that they had Bill Duke as her boss and Robert Forster as her dad. And they did a good job of supplying the criminal-of-the-week characters with personality.

Every time Carla Gugino has another TV show I think “hey, maybe it’ll be a hit and they’ll finally release KAREN SISCO on DVD.” But it didn’t work for THRESHOLD and whatever other shows she was on that got cancelled. So now we’ll just have to hope this one hits big and causes a demand for other Elmore Leonard TV shows. Rights holders please note that Academy Award winner Kathryn Bigelow directed one episode. Let’s see that DVD.

And while I’m at it I never saw that MAXIMUM BOB show either. That was supposed to be pretty good, wasn’t it?

The Next Karate Kid

Thursday, March 3rd, 2005

Two time Oscar winner Hilary Swank, hailing from Bellingham, Washington, stars in the explosive finale to the Karate Kid quadilogy. This one was Swank’s first starring role and came out in 1994, when movies were just as crappy but not quite as funny as their ’80s counterparts. The director is Christopher Cain, father of Dean Cain and director of The Amazing Panda Adventure.

Swank plays Julie, a pouty, sullen teenage girl who lives unhappily with her grandma after the death of her parents. Anything anybody says to Julie, she takes offense and throws a hissy fit. You know how old people are, they try to be nice but they don’t really understand where your teenage mind is coming from, so they offer you some lemon bars or something and you’re like “GOD DAMN IT WHY CAN’T YOU JUST LEAVE ME ALONE?!” and run out of the room crying. So then Julie goes in and stabs grandma to death in her sleep, while jerkin off. Or was that a different movie? I can’t remember. (read the rest of this shit…)

House of 1000 Corpses

Saturday, April 19th, 2003

Well this is the long delayed horror movie from first time writer-director Robert Zombie. Let’s face it, that’s probaly not the dude’s real name. But I like it better than “McG.” Apparently Mr. Zombie is some sort of rock and/or roller who directs his own videos and draws his own album covers, and my guess is that he’s better at the artistical stuff than at the actual rock n roll.

Everything I know about Rob Zombie I know from this movie. I know that he likes brutal ’70s horror movies, in particular THE TEXAS CHAIN SAW MASSACRE but also probaly THE HILLS HAVE EYES. I know that he is fascinated by gaudy roadside attractions, tasteless t-shirt slogans, phoney sideshow curiosities, serial killer legends, spookhouse rides, scary rednecks, Bela Lugosi movies, Zacherly-style TV horror hosts, iconic Halloween decorations, oversized paper mache masks, gimmicky cereal boxes, old video footage faded to the point of abstraction, violent satanic rituals. He also has great taste in b-movie actors judging by the cast which includes Sid Haig (SPIDER BABY), Bill Moseley (TEXAS CHAINSAW MASSACRE PART 2), Tom Towles (HENRY: PORTRAIT OF A SERIAL KILLER) and Karen Black (everything). If you cram all of those motifs and influences so that they barely fit into one movie, this is what you get. Or to put it another way, you take the first two texas chain saw movies, and you put an episode of Pee Wee’s playhouse in between em, then you smoosh it together like a peanut butter sandwich and keep it in your pocket for a while. like that imaginary sandwich the movie is kind of sticky and messy and doesn’t really work but it’s got a lot of good shit in there. I’m not sure why the hell you would put a sandwich in your pocket though, that’s kind of a weird analogy. what the hell man. (read the rest of this shit…)