LOCKOUT is pretty much what I hope for from a Luc Besson production: solid b-movie fun, good gimmicks, good energy. But unlike the B13s or the TRANSPORTERs or the TAXIs or the YAMAKASIs it’s not the action that’s the highlight, this is more of a character and concept driven entertainment.
You could say the same about TAKEN, ’cause it’s a post-action mess made palatable by Liam Neeson getting to play a black ops hardass with a straightforward, personal goal. Like TAKEN, this has Maggie Grace playing an abducted daughter who has to be rescued (this time the president’s daughter taken hostage on a low orbit maximum security prison/space station). But it’s not the SPACE-TAKEN I was expecting, because the tone is completely different. The biggest surprise and the best part of the movie is that Guy Pearce as Snow, who has to rescue her, is a total smartass. He speaks mostly in quip, and successfully so, always keeping the movie fun instead of being annoying like could sometimes happen. The movie around him takes itself seriously, but he refuses to follow its lead.
(read the rest of this shit…)
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Hey folks, Harry here in my geek recovery ward. Been getting a lot of reviews of CONSTANTINE in and it seems the more familiar with the comic the reviewer is, the more they dislike the film. Personally – other than seeing a lot of the covers, I’ve never been a big HELLBLAZER reader, and I found myself liking the film quite a bit. Almost exacly like Vern here, only less literate. Here he is…. on your knees, for he speaks…
