"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Lamberto Bava’

The Ogre/The Church

Thursday, October 24th, 2024

This DVD I rented is labelled DEMONS III: THE OGRE, but I knew that wasn’t really a thing. That’s just how video labels chose to promote THE OGRE, a 1989 TV movie that Lamberto Bava went off to do after giving up on a third DEMONS.

THE OGRE opens in Portland, Oregon, where a little girl wakes up and wanders into a dungeon/wine cellar and finds a bizarre, pulsating cocoon on the ceiling. It’s like a giant spider egg sac except it glows yellow, drips fluid and beats like a heart. She sees a spindly monster inside, and it reaches a hand out for her, then chases her. Eventually she wakes up. Yes, it was only a dream, but she dropped her teddy bear in the dream, and now it’s gone. (read the rest of this shit…)

Demons 2

Wednesday, October 23rd, 2024

Until now I had never seen DEMONS 2, really didn’t know anything about it, and considering its provenance it could’ve been a sequel-in-name-only. So I was excited when the opening narration described the events of the first film: demons unleashed from a movie theater. But it says that was followed by “days of terror that convinced the world demons can exist.” Days. So the war between the survivors and the monsters implied by the ending has already wrapped up, I guess. Things seem to be back to normal.

You could say it’s a DAWN OF THE DEAD type sequel – new set of characters later in the same apocalypse – but really it’s more of a do-over, a different take on the same rough idea. I think that’s a pretty cool approach, and they chose good elements to remix. Instead of a movie theater, the specific structure it focuses on is a high-rise apartment building called The Tower. Instead of the meta element of a movie about demons showing in the theater, they have one broadcast on TV, and various people in the building are watching it. They also have another part where suddenly it cuts to some punks driving around, although in my opinion they don’t really do much of interest with it. On the other hand they do one-up the iconic people-with-glowing eyes scene by doing it with a bigger mob of demons and then again looking up a staircase as they run down it. (read the rest of this shit…)

Demons

Monday, October 21st, 2024

Lamberto Bava’s DEMONS is from 1985 and it’s a thoroughly 1985 movie in a very good way. It has a catalog of tough punk type side characters, a very danceable electronic score by Goblin keyboardist Claudio Simonetti, and somewhat random rock soundtrack including “White Wedding” by Billy Idol and “Walking On The Edge” by Rick Springfield. It has lots of atmosphere and stylized imagery with colored lighting that makes the frame look like a blue or yellow screen printing, and a handful of scenes just starkly showing a strip of flashy businesses around the mysterious Metropol movie theater where it takes place. Gothic horror downtown.

When it opens on the subway, Simonetti’s theme song is grooving so hard – the drum and keyboard sounds he’s using seem old school hip hop influenced – you’re pretty sure this is gonna be a classic. And I think your instincts are correct. Cheryl (Natasha Hovey) is, I believe, a music student in Berlin headed to a lecture, clutching her Bartok book nervously as she eyes the cool punk hairstyles around her on the train. Lady, they don’t even know you exist. Get over yourself. Then she starts glimpsing reflections, almost like a hallucination, of some kind of cyborg man (second unit director Michele Soavi) with a half metal face? I don’t know, maybe it’s an updated Phantom of the Opera mask. He turns out to be real and approaches her at the station… she actually runs from him but is relieved when he turns out to be just a guy giving out passes to a movie screening. (read the rest of this shit…)

Danger: Diabolik

Monday, December 6th, 2021

Mario Bava’s DANGER: DIABOLIK stars John Phillip Law, who to me will always be Pygar, the blind angel of love from BARBARELLA. This one came out earlier the same year, 1968, and kinda seems like BARBARELLA’s evil crime movie cousin. It is in fact another Dino De Laurentiis international co-production based on a comic book, and reportedly uses some of the same sets (though I’m not sure which ones). It feels very much like a super hero movie at the beginning: we hear police talking about Law’s character Diabolik as some kind of legendary figure, he first appears in a long black car (Jaguar, not Batmobile), he shows up in a mask, does his thing, makes an escape to a secret entrance to an amazing hidden base inside a cave. But this guy is no super hero, he’s just a thief with a whole lot of flair.

Police Inspector Ginko (Michel Piccoli, THE DISCREET CHARM OF THE BOURGEOISIE) is determined to not let Diabolik steal the $10 million that needs to be transported, going out of his way to deliver decoy money and send the real shipment in a Rolls-Royce with cops disguised as diplomats. But that car finds itself engulfed in plumes of multi-colored smoke and then lifted up by a crane operated by by Diabolik. The camera zooms in on him for a diabolical laugh when the title comes up. (read the rest of this shit…)