FREMONT (2023) is an odd, dry little indie film I came across. I guess if forced I’d have to classify it as a drama, just so nobody gets mad at me for it not being a laugh riot. But it’s not really heavy, kind of a strange undertone of sad and funny, which is why I liked it.
Donya (Anaita Wali Zada) is an Afghan refugee in Fremont, California. She lives in the same building as some other Afghans, including one (Timur Nusratty) who won’t even acknowledge her. She says it’s because she “worked with the enemy” by being a translator for the U.S. Army. She did that for a visa, for a chance to get the fuck out of there, to get anywhere else. Not necessarily here.
She commutes to San Francisco to work at a small fortune cookie factory. “I thought it would be lovely to see Chinese people sometimes,” she explains. The process of how the cookies are made is also a pretty lovely thing to see in a movie. (read the rest of this shit…)
CHRISTMAS EVE IN MILLER’S POINT is a movie that I heard about last Christmas but it wasn’t on video yet. Some people were really flipping for it and that’s really all I knew about it, so I checked it out when I saw it was on blu-ray this week.
