102 years after F.W. Murnau’s illegal copyright violation classic, here’s writer/director Robert Eggers following up THE WITCH, THE LIGHTHOUSE and THE NORTHMAN with THE NOSFERATU.
Nosferatu? Yesferatu. Absolutelyferatu.
In many ways NOSFERATU is pure Eggers: the meticulous attention to old timey visual, linguistic, and folkloric detail; the dreary natural lighting like you were sent hurtling to the past and forced to deal with a lack of electricity; the emphasis on mood, atmosphere and performance over modern horror tropes. The biggest way it’s different comes from being an adaptation (of an adaptation): while he maintains his trademark of presenting deeply researched superstitions of the past as reality, he has to do it with the more conventional horror set up that only the protagonists believe in the supernatural, and the others around them don’t buy it until it’s too late. (read the rest of this shit…)
As someone who enjoyed the first two 
