"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Diana Silvers’

The Killer (2024)

Thursday, August 29th, 2024

For generations, legends have been told of an impending English language remake of John Woo’s THE KILLER (1989). Walter Hill and David Giler wrote one for Richard Gere and Denzel Washington way back in 1992, with other versions announced over the decades, some sounding more promising than others. At times Woo himself was involved as a producer, for most of the last decade he’s been attached as director, and now he’s finally succeeded… as an exclusive to the streaming service Peacock. But what are you gonna do? At least it exists and I’ve been able to watch it twice already.

THE KILLER (original recipe) is an untouchable classic (I personally hold it closer to my heart than THE CROW, which crazily had its also long-gestating remake released on the same day), but I think it’s a perfect movie to loosely remake. It could really be like YOJIMBO in that its story is so elemental, it’s obvious what basics you take from it and the rest is up to you. So that’s what Woo does: he returns to his original idea of a hired assassin who accidentally blinds an innocent singer during a hit, decides to turn against his organization to protect her, meanwhile sparring with a detective on his trail, as the two find out they don’t want to be enemies. Then he changes up all the details and context around that, and tells the story in a whole different style and tone. He’s not pretending to be the same as when he made the first version. This is a Woo who is now nearly 80 and has experienced setting a template for Hong Kong action cinema that influenced movies all around the world, coming to Hollywood and becoming a major director, getting burnt out on that and returning to Asia to make historical epics, and recently coming back to the States to play around in the world of slick mid-budget action goofs.

A bit of advice: If you have been poisoned, will only be living for a few more hours, and want to see the very best version of THE KILLER before you expire, please choose the original. If you’re not dying, but want to see a movie exactly like THE KILLER and not doing a whole different thing, also watch the original. But if your plan is to live for a while, watch countless more movies and be open to different experiences, THE KILLER (2024) is highly recommended. (read the rest of this shit…)

Flesh & Blood (Into the Dark)

Wednesday, November 27th, 2019

Into the Dark is a series of low budget holiday-themed horror movies that Blumhouse produced for Hulu. IMDb and Wikipedia classify them as an anthology TV series like Masters of Horror, but Hulu presents them as individual movies, and they’re feature length. (For some reason I assumed they’d be shorts.) I decided to try out last year’s FLESH & BLOOD, one of the two Thanksgiving movies in the series so far.

Kimberly Tooms (Diana Silvers before BOOKSMART and GLASS) has just turned 17 in early November of 2018. Some time after Thanksgiving the year before her mother (Meredeth Salenger, EDGE OF HONOR) was murdered, and the case has not been solved. Since then she’s developed agoraphobia. She has a bit of a support group online, but Dr. Saunders (Tembi Locke, STEEL), the therapist who comes to the house to work with her, doesn’t think she’s making enough progress. When she follows her dad (Dermot Mulroney, COPYCAT – also about agoraphobia)’s encouragement to try to get an Amazon package off the porch she fails. The world turns blurry, dizzying, loud. She can’t function. (read the rest of this shit…)

Ma

Wednesday, October 30th, 2019

MA is a pretty simple little Blumhouse thriller that doesn’t go much deeper than what you see in the trailer, but I had fun with it. Academy Award winner Octavia Spencer (HALLOWEEN II) plays the titelistical matriarch, a.k.a. Sue Ann, a single veterinarian’s assistant in a small town in Ohio who is randomly approached one day by some high school kids who want her to buy them alcohol. Not only does she hook them up that one time, she becomes their regular buyer. And then she decides to let them use her basement as their party space. She’s like a cool, irresponsible aunt. She jokes around inappropriately sometimes, but tells them she’d rather they be here than out driving drunk or something. (Plan A was to party in a van.)

There are a couple obvious ways to play this. One would be to draw out the reveal of whether or not Ma is a psycho. I like that they immediately show her looking up the kids’ Facebook pages like a stalker. There are two other major escalations in craziness that happened so abruptly I got a big laugh and wished I’d seen this with an audience. The suspense is in how far she’s gonna take this. And there’s tension about things like “why is she so insistent that they not see the upstairs” and “will Maggie (Diana Silvers, BOOKSMART) be able to make her friends and her boyfriend Andy (Corey Fogelmanis, Girl Meets World) see that this lady is trouble?” (read the rest of this shit…)