"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Alex Rocco’

Boris and Natasha

Monday, May 23rd, 2022

BORIS AND NATASHA, a.k.a. BORIS AND NATASHA: THE MOVIE, went straight to Showtime, but I’m counting it as a Weird Summer movie because it first aired on April 17, 1992, and presumably kept playing in subsequent months. And yes, it’s a live action movie centered on the villainous spy characters from The Rocky and Bullwinkle Show, which is a pretty weird idea.

That beloved Jay Ward cartoon was 30+ years in the past at the time, but still showing in reruns. I know I watched it in the ‘80s. I remember having a t-shirt with Rocky and Bullwinkle parodying the ENDLESS SUMMER poster, even though I didn’t know what that was. It was a great show, so I’m not complaining, but my parents’ generation gave us their nostalgia as hand-me-downs, and we took it. I had Gumby shirts too. I never got Showtime, though, so I never saw BORIS AND NATASHA: THE MOVIE, and couldn’t exactly picture how you’d make a movie about them.

Actually it’s not a terrible comedy premise: what if Boris and Natasha were given a mission where they had to pretend to defect to the U.S., but then they started to like being American? This isn’t as common anymore, but they used to make these movies based on old TV shows but with some high concept way to set it in the modern world. They did it for DRAGNET and after this THE BRADY BUNCH and FAT ALBERT and much later 21 JUMP STREET. CONEHEADS was another one that actually has a premise pretty similar to this one.

Wait – isn’t that kind of what The Americans is about too? Is The Americans a remake of BORIS AND NATASHA: THE MOVIE? (read the rest of this shit…)

Three the Hard Way

Wednesday, July 22nd, 2020

THREE THE HARD WAY (1974) is directed by Gordon Parks Jr. (this is #3 of his four movies, after SUPER FLY and THOMASINE & BUSHROD, before AARON LOVES ANGELA). His famous Life Magazine photographer father directed SHAFT in 1971, its explosive popularity leading to the wave of genre films aimed at black audiences known as Blaxploitation*. Junior directed SUPER FLY in 1972, which was even more successful than SHAFT. Though both received some criticism for promoting negative stereotypes, in style and substance they were on the more serious, artful end of the Blaxploitation spectrum.

So it’s kind of funny that for his second movie Parks Jr. just leapt right into the silly caricature side of the pool. This one teams up three of the biggest stars of the genre to play some random freelance tough dudes in different cities who know each other from way back (no explanations offered), and sends them to fight straight up white supremacists planning a genocidal super villain plot. Other than the horrendous racism that has to be depicted to show what they’re up against, this is all froth, bluster and wish-fulfillment. Which I can get behind. (read the rest of this shit…)