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Posts Tagged ‘experimental’

Taking Tiger Mountain

Tuesday, September 10th, 2019

TAKING TIGER MOUNTAIN – not to be confused with Tsui Hark’s THE TAKING OF TIGER MOUNTAIN – is a surreal post-apocalyptic experimental black and white art film, shot in 1975, screened in 1983, and never released on video until Vinegar Syndrome’s recent blu-ray. It’s most notable as the first performance by the late great Bill Paxton, who is the lead as well as the production designer.

Like many people, I’m sure, I most associate Paxton with his funny whiny guy roles, especially Hudson in ALIENS. Game over, etc. And he stayed strongly associated with James Cameron as not only the lead in the present day section of TITANIC, but the real life friend who told Cameron, emerging from an actual expedition to the Titanic wreckage, about the 9-11 attacks (as seen in the Imax documentary GHOSTS OF THE ABYSS). They both came out of the Roger Corman school – Paxton worked as a set decorator on EAT MY DUST, BIG BAD MAMA and GALAXY OF TERROR, where the two first met. Though we all know Paxton ended up making it as both a leading man in blockbusters and a reliable character actor, remember that he directed the 1980 novelty music video “Fish Heads,” the 2001 supernatural religious thriller FRAILTY, and the 2005 golfing drama THE GREATEST GAME EVER PLAYED. He was a filmmaker. But as a 19 year old working as a set dresser for the educational films of Encyclopedia Brittanica Features he befriended director Kent Smith (writer: MASSAGE: THE TOUCH OF LOVE; composer: VENEREAL DISEASE: THE HIDDEN EPIDEMIC), who thought he’d make a good star for an independent movie. (read the rest of this shit…)

Samsara

Monday, September 3rd, 2012

You know how some of these prestige pictures, especially around Oscar season, you’re waiting for the release date and then you find out it’s “New York and L.A.,” and if you’re anywhere else you gotta wait another couple weeks or a month or something? Well, for its first week SAMSARA was only playing two theaters: the Landmark Sunshine in New York and the Cinerama in Seattle. TAKE THAT LOS ANGELES. YOU CHUMPS HAD TO WAIT A WEEK.

I thought Cinerama got the exclusive because they’re one of the few places that can project 70 mm, which is what this was filmed in (Panavision Super 70 if you want to know the name brand) but then it ended up being released only in digital computer file form anyway, by request of the filmatists. “SCREENED IN 4K” they call it. I would complain except it looked great, so I’m sure they knew what they were doing. (read the rest of this shit…)