aka 3:15 THE MOMENT OF TRUTH
When you’re a grown adult you normally don’t fear somebody who you perceive as a kid. No matter how hateful the bastard is you have something over him – probly size and strength, intelligence, if not you at least have the authority of being an adult. You’re supposed to be in charge here. You enforce the rules if it comes to that. They fear you. I think maybe that’s what all these ’80s juvenile delinquent movies were about was the fear of losing that authority. As kids looked weirder and acted scarier the grownups were terrified of the world turning upside down so they couldn’t say anything to these fuckers. Oh my god, they have war paint and chains, they’re gonna eat me alive.
So it’s fitting that in 3:15 I have a hard time telling the kids apart from the adults. The students are all played by actors in their mid-twenties, maybe older. So you only know it’s a teacher if he’s wearing a tie. The school only seems to have a couple teachers, but a whole lot of gangs. I guess I can see why they’re physically overwhelmed and don’t seem to make any effort to patrol the halls or anything. It’s a hopeless situation so they gave up a long time ago. (read the rest of this shit…)
Hey folks, Harry here – with the latest from Vern. This time, Vern tackles the ever evolving career of one, Wesley Snipes. I miss Wesley Snipes. He was never just the muscle action guy and I kinda hate that THAT is what he’s becoming in these cheap straight to DVD flicks. Snipes is a dramatic actor of an immense amount of range. He just needs to calm down and begin straightening out a lot of the bad press he’s had – and just do the work. Put himself in some independent films – showing his range and humility and getting back to where filmmaker’s won’t be taking a “chance” directing him, but taking the OPPORTUNITY to use him. He’s incredibly talented, I just want to see that back on screen again. Here’s Vern to tell us if we see any of that talent in HARD LUCK…
Geez, I shouldn’t have put off seeing this movie so long considering it really is my beat. This is kind of a miracle actually. This is the rare DTV movie that could’ve passed for a low budget theatrical movie. The only thing really holding it back is being a prequel with a different star from the original, which is a real good reason not to release it in theaters. Going straight to video lowers the expectations and makes it only half count as a sequel or prequel, which gives it a better shot at working. And for me it did. Even if you don’t go for it I think you will be awed by its competence. This is definitely a landmark in DTV sequelization.
