DESPERATE LIVING (1977) is the fifth feature film from John Waters, the one he did before dipping his toe in the mainstream with POLYESTER. Its opening – not counting the credits sequence showing a fancy place setting where a (real) fried rat is served and (fake) eaten – introduces us to Baltimore socialite Peggy Gravel (Mink Stole, NEIGHBOR), returned early from the mental hospital. Her husband Bosley (George Stover, WRESTLEMASSACRE) insists she’ll be fine, but she’s immediately throwing manic fits. When a kid accidentally hits a baseball through her window, for example, she believes it’s an attempt on her life, and is sure to squeeze the maximum amount of drama from it.
As we laugh at Stole’s crazed rantings, we can see the trick of Waters’ distinct brand of outrageousness. In reality (or realism) this would be incredibly sad. This poor mentally ill woman is detached from reality and in constant fear and mania. But the purposely stiff style of most of the acting and dialogue creates a distance for us and an appreciation for the fact that everyone in this world is an absolute mess. (read the rest of this shit…)
SERIAL MOM is a comedy I loved when it came out thirty years ago, in April of 1994. I think at the time I’d probly seen CRY-BABY, possibly POLYESTER, but I was fairly uninitiated into the films of John Waters. I just knew that at that moment he offered the perfect combination of what-we-need-right-now and what-no-one-else-is-making.
For the first time in the one (1) year since I got out, I feel like someone has heard me as I shouted to the sky my feelings about the Cinema. Or at least came up with the same ideas seperately. Mr. John Waters is the filmatist in question and this gentleman has created one of the greatest movies EVER about the movies to come out in the last year at least from the ones I have seen. Which is not many but still. This is a must-see picture for Cinema Outlaws like you and me because it takes all of our arguments and wads them all up into a big ball and then molds them into the shape of an entertaining movie.
