First, a little about James Brown dying on Christmas.
God damn, JB. That one took me by surprise. I gotta figure he’s one of the great geniuses of our time. Nobody could ever deny him as a performer, a singer, a dancer, a songwriter. But to me it’s the music that gets me high – all those tight as hell, stop-in-the-exact-center-of-a-dime bands he had over the years. One time in 1969, James had a sold out show in Georgia, but most of his band quit. So Bobby Byrd took a Lear jet to Cincinatti, picked up a young band he’d seen called the Pacemakers from an empty bar gig they were getting paid $15 for. They flew directly to Georgia, came out onto stage with their hero who they’d never met, and still were the baddest band ever. That’s how 17 year old Bootsy Collins got in James Brown’s band.
Giving James credit as the producer of all that music, obviously you gotta keep in mind he’s not playing those instruments (although I saw him do a smokin organ solo one time) and he’s got hundreds of amazing musicians playing with him over the years that need to share that credit. But if it didn’t take genius to put all those people together and make that type of funk then how come nobody else did it? And if you ask me nobody to this day has matched the JBs. You wanna be blown away, pick up Pass the Peas: The Best of the JBs. I have had it in my head for years that if Skander Halim ever makes that Vern Tells It Like It Is movie the opening credits have to use “Hot Pants Road,” because I want that to be my theme music. I guess you can’t go wrong having theme music from the same people who did Black Caesar and Slaughter’s Big Ripoff. (read the rest of this shit…)