Steven Seagal: Lawman

I am – Hercules!!

Today we start with “Outlaw Vern”:

Ladies and gentlemen of the internet, Mr. Hercules T. Strong of the Co-axial TV News and DVD Lists invited me to write a few words about STEVEN SEAGAL LAWMAN SEASON 1, an A&E reality series that comes out on DVD this week. I haven’t been posting here on the Ain’t It Cool News as much as I used to, so it’s good to be back. I’m not sure why he thought of me though, since I’m not a television critic and don’t really know very much about reality shows. But I suppose I do know a little bit about Steven Seagal, mainly just because I’ve seen every movie he’s made several times, saw his band perform live, still have a cupboard stocked with his Lightning Bolt energy drink and spent five years writing a book analyzing his entire filmography. So come to think of it I might have something to offer here. Hercules got lucky on that pick. (read the rest of this shit…)

To Live or Die

This episode begins with the Squad responding to a call about two men shot in an armed robbery. They go to a Hispanic neighborhood where two Latino men are laying on the ground bleeding from gunshot wounds. Seagal and friends ask the wounded men and witnesses about who shot them (two black men with dreads who robbed them and then shot them anyway) but otherwise all they can do is assure them an ambulance is coming. This is the biggest incident we’ve seen in this series so far, but it’s not exciting, it’s just upsetting to see these poor guys moaning in pain.

“Believe me,” Seagal says. “That really pisses me off bad.” After all the people Seagal has left behind in movies, screaming about which body parts of theirs he injured, and after seeing him abandon the body of a colleague and love interest in a wrecked car in EXIT WOUNDS, it’s weird to see him standing around frustrated that two people are hurt and he can’t do anything. Later we learn that one of the men died. (read the rest of this shit…)

Episode 5: Firearms of Fury

There’s a 911 call about a disturbance with a gun, so the Squad is called in and get the suspect out of his car. Seagal keeps asking where the gun is and eventually the guy admits that it’s in the back of the car – a .44 with the hammer pulled back so it could’ve easily gone off and hit somebody. Seagal instructs another officer on how to pick it up safely.

It’s unclear what happened exactly – apparently an argument between cousins, the guy claimed he’d never point a gun at his cousin, but then why did his cousin call the cops? Seagal says afterwards, “I’m not happy that this happened, but at least we got one more gun off the street.” Sometimes LAWMAN gives me an impression of police work like it’s an old school video game. You gotta keep going around a maze grabbing all the guns you can find but they keep piling up faster and faster until you can’t keep up and then the game is over. (read the rest of this shit…)

Note: I’m numbering these by the order the air, although the official numbering is totally different on their websight.

Apology: Sorry this is so late. I need time to study these things.
Episode 4: Killer Canines

The Seagal Squad rush to the scene of a burglary. This time they don’t seem as annoyed by his navigating. When they get to the house an alarm is blaring and there’s damage to a door and a window. It seems obvious that the intruder is long gone, but for some reason Seagal and the Squad are convinced he’s still inside. They call in a canine and put him in through the window, and Seagal says, “I hope he didn’t cut his feet on that glass,” seeming to maybe even choke up a little. They don’t find the burglar (he “somehow faded into the shadows”) but they have demonstrated Seagal’s legendary love of animals. (read the rest of this shit…)

For 20 years we have known the legend of Steven Seagal. He was the aikido teacher, the white man who ran a dojo in Japan and later impressed people in Hollywood so much they made him a movie star. He wrote and produced many of his movies, directed one of them, created a unique persona. He got more and more into Buddhism and Zen, sometimes working them into his movies, eventually being declared by somebody as a reincarnated Tulku.

During this decade, suddenly, we learned that he was a bluesman too. It seemed ridiculous at first, but it was true. It seemed so out of the blue that you could assume it was just a new phase he was going through, but looking back over old articles I found references to him playing guitar even back in his youth in Japan. And I heard and saw him with my own ears and eyes, and he could play, and his band was tight.

So we got used to that, now all the sudden you’re telling me he’s been a cop for 20 years? In his spare time, like in between the 37 movies he’s filmed? Man, I have trouble working a day job and writing movie reviews, this guy is filming several movies a year, recording albums, going on tour and chasing carjackers? (read the rest of this shit…)