SYNECDOCHE, NEW YORK is the most complex and convoluted movie that worked that I’ve seen in a long time. I loved it and you might too. But there’s also a good chance you’re not on its wavelength, and in that case it will be torture, like me watching WAKING LIFE.
P.S. Hoffman plays Caden, a guy who directs plays. He’s fat, unhappy and uninteresting and his wife (Catherine Keener) is obviously miserable. The opening is so mundane it’s almost hard to translate as a movie: he has trouble getting out of bed, reads the newspaper, mumbles to his wife that Harold Pinter died, they have sort of a conversation but aren’t listening to each other. It’s kind of nice that it begins so uncinematically mired in normal life, because as it goes along it becomes more and more fantastical. (read the rest of this shit…)
